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Three Questions for Christopher Rothko
Nov 4, 2015 - The exhibition Mark Rothko: A Retrospective brought to Houston—its only U.S. venue—a visit from a top Rothko scholar who also happens to be the artist’s son. Hear more from Christopher on Monday, November 16, when he returns to the Museum to discuss his father’s work with our director, Gary Tinterow, at Conversations with the Director.
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Beauty and Ritual: Judaica from the Jewish Museum, New York
. Shop the Show See exhibition-related items at the MFA Shop online. Opening Day | “Beauty, Ritual, and a Journey through Jewish Ceremonial Art” Special Program | “Object Stories: Judaica in Synagogue and Home” Beauty and
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Dawoud Bey: An American Project
. Shop the ShowBrowse exhibition-related items at the MFA Shop online. A Conversation with the ArtistDawoud Bey talks with curator Malcolm Daniel on the opening day of the exhibition. Exhibition OverviewFind out more about
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Michelangelo and the Vatican: Masterworks from the Museo e Real Bosco di Capodimonte, Naples
Exhibition Admission Tickets, available online and on-site, include access to the Museum’s art collections. MFAH Member (Join now!)
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Teamwork Saves a Great Work of Art for Houston’s Future
Aug 22, 2019 - The call for help came September 6, 2017, from our trustee Sarah Trotty. Then, the Museum coordinated with our construction company, McCarthy, to patch the roof. Our conservators, led by Soni Bomford, started putting tissue facing on the fragile sections to stabilize them.
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Every Dot Knows Where It Is: A Chat with Pipilotti Rist
Jun 26, 2017 - A machine is always only an extension of our body. For example, a camera is a bad, simple copy of our very complex eye system. Our brains are made up of low-voltage electrode signals—Pixel Forest looks like a simplified brain. In a way, all technology is a copy of nature. What was the process for putting these installations together?
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Museum of Fine Arts, Houston, Presents the Work of Argentine Conceptual Artist Leandro Erlich in June 2022
Mar 3, 2022 - Erlich explores the perceptual bases of reality and our capacity to confront these fundamental foundations. As he said in a 2014 interview, he considers space “the ‘stage’ of our lives. … My work is like opening a window to see the new world and other realities.” “His interventions into ordinary spaces resonate perhaps even more so today, at a time when our collective sense of time and space has become fluid and uncertain.”
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Handsome Antonio (Il bell'Antonio)
Special thanks to our cultural partner Italian Cultural Institute in Los Angeles, Professor Alessandro Carrera from the University of Houston, and Kate MacKay, UC Berkeley Art Museum & Pacific Film Archive.
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Girl with the Suitcase (La ragazza con la valigia)
Special thanks to our cultural partner Italian Cultural Institute in Los Angeles, Professor Alessandro Carrera from the University of Houston, and Kate MacKay, UC Berkeley Art Museum & Pacific Film Archive.
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The Facts of Murder (Un Maledetto Imbroglio)
Special thanks to our cultural partner Italian Cultural Institute in Los Angeles, Professor Alessandro Carrera from the University of Houston, and Kate MacKay, UC Berkeley Art Museum & Pacific Film Archive.