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  1. Picasso Black and White

    For information, contact the MFAH Shop at 713.639.7360 or the Museum's Hirsch Library at 713.639.7325. This exhibition has been organized by the Solomon R. Long Endowment for Exhibitions The Brown Foundation, Inc. Fulbright & Jaworski L.L.P. The Vivian L. Smith Foundation Barbara and Michael Gamson Mr. and Mrs. Rodney Margolis Mr. and Mrs. Harry M.

  2. 2012 Core Exhibition

    As a forum for emergent artists and critics to discuss and develop their work, the Core Program strengthens the Houston arts scene. This year's exhibition is strong in photography, décollage, and video. The Core Program at the Glassell School of Art receives generous funding from: The Joseph and Sylvia Slifka Foundation Andy Warhol Foundation The National Endowment for the Arts The following donors have underwritten

  3. The Crime Is Mine (Mon crime)

    After a struggling actress stands trial for the murder of a lascivious producer in 1930s Paris, she ascends to scandalous stardom. A new life of fame, wealth, and tabloid celebrity awaits—until the truth comes out.

  4. Mr. Putifar’s Wacky Plan (Les Vengeances de Maître Poutifard)

    The location for this screening has changed to the Lynn Wyatt Theater in the Kinder Building. As a middle-school teacher, Robert Putifar was teased by students during his entire career.

  5. The Man Who Paints Water Drops (Mulbang-ul-eul geulineun namja)

    One of the most recognized artists in Korea, Kim Tschang-yeul (1929–2021) was known for his abstract paintings of water droplets.

  6. Selected Prints by Robert Rauschenberg from the MFAH Collection

    The installation is presented in conjunction with the lecture Ready for Liftoff: Robert Rauschenberg’s “Stoned Moon Series.”

  7. Two Films by Robert Frank

    Restoration by the Museum of Modern Art with support from the Celeste Bartos Fund for Film Preservation. “Robert Frank and Todd Webb: Across America, 1955” is organized by the Museum of Fine Arts, Houston.

  8. “HOME—So Different, So Appealing” Travels to the Museum of Fine Arts, Houston, in November

    Oct 30, 2017 - For this work, Argote removed the multi-room carpet from her childhood home and reinstalled it in a gallery setting. Michael Treviño Additional generous support is provided by the Latin Maecenas, the patron group for the Latin American art department at the MFAH.  “Home—signaling a dwelling, residence, or place of origin—embodies one of the most basic concepts for understanding an individual or group within a larger physical and social environment.

  9. The Art of Beatriz González

    Oct 19, 2019 - 1938) has engaged in an artistic dialogue with some of the most iconic paintings of European art, as well as with advertising logos and various mass-media sources—appropriating and recasting these images to reflect on the taste for Iconoclastic Works of Art Living in Bogotá and well aware of her geographic and cultural position outside of recognized art centers in Europe or the United States, González considers the desire for such images—known primarily of everyday objects—including furniture, curtains, wallpaper, and street signs—González’s iconoclastic works critique the power imbalances, marginalization, and cultural colonization perpetuated by the circulation and demand for

  10. “Beauty Everywhere” in Vincent van Gogh’s Paintings of Flowers

    Feb 27, 2019 - —Vincent van Gogh Vincent van Gogh sought solace in the natural world, to which he returned time and again for artistic inspiration. Cobalt Blue For the background of Vase with Gladioli and Chinese Asters, Van Gogh used his favorite cobalt blue. In comparison, the brushstrokes give the impression of a monochrome, flecked wallpaper. canvas, Kröller-Müller Museum, Otterlo. © Kröller-Müller Museum Blues & Oranges & White-Hot In 1888, Van Gogh traveled south by coach from Arles to Saintes-Maries-de-la-Mer, a seaside town on the Mediterranean, and stayed for