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  1. Picasso Black and White

    For information, contact the MFAH Shop at 713.639.7360 or the Museum's Hirsch Library at 713.639.7325. This exhibition has been organized by the Solomon R. Long Endowment for Exhibitions The Brown Foundation, Inc. Fulbright & Jaworski L.L.P. The Vivian L. Smith Foundation Barbara and Michael Gamson Mr. and Mrs. Rodney Margolis Mr. and Mrs. Harry M.

  2. 2012 Core Exhibition

    As a forum for emergent artists and critics to discuss and develop their work, the Core Program strengthens the Houston arts scene. This year's exhibition is strong in photography, décollage, and video. The Core Program at the Glassell School of Art receives generous funding from: The Joseph and Sylvia Slifka Foundation Andy Warhol Foundation The National Endowment for the Arts The following donors have underwritten

  3. Musiqa Mixer | “None Whatsoever: Zen Paintings from the Gitter-Yelen Collection”

    The program features an evening of music for percussion by Daiki Kato, Alexandre Lunsqui, Steve Reich, and Juri See. Performers include Aaron Guillory, Bobby McCullagh, and Terry McKinney. Endowment funds are provided by the Louise Jarrett Moran Bequest; Caroline Wiess Law; Windgate Foundation; the William Randolph Hearst Foundation; Cyvia and Melvyn Wolff; the National Endowment for the Humanities; the Fondren

  4. “HOME—So Different, So Appealing” Travels to the Museum of Fine Arts, Houston, in November

    Oct 30, 2017 - For this work, Argote removed the multi-room carpet from her childhood home and reinstalled it in a gallery setting. Michael Treviño Additional generous support is provided by the Latin Maecenas, the patron group for the Latin American art department at the MFAH.  “Home—signaling a dwelling, residence, or place of origin—embodies one of the most basic concepts for understanding an individual or group within a larger physical and social environment.

  5. The Museum of Fine Arts, Houston, Presents “Alberto Giacometti: Toward the Ultimate Figure” in November

    Jul 28, 2022 - The MFAH is also home to the Glassell School of Art, with its Core Residency Program and Junior and Studio schools; and the International Center for the Arts of the Americas (ICAA), a leading research institute for 20th-century The foundation is also responsible for the authentication committee of Giacometti’s work and compiles the catalogue raisonné of his work. Standing Woman, Walking ManGiacometti’s long search for the ultimate figure culminated in his large standing woman and walking man sculptures of the postwar period.

  6. The Art of Beatriz González

    Oct 19, 2019 - 1938) has engaged in an artistic dialogue with some of the most iconic paintings of European art, as well as with advertising logos and various mass-media sources—appropriating and recasting these images to reflect on the taste for Iconoclastic Works of Art Living in Bogotá and well aware of her geographic and cultural position outside of recognized art centers in Europe or the United States, González considers the desire for such images—known primarily of everyday objects—including furniture, curtains, wallpaper, and street signs—González’s iconoclastic works critique the power imbalances, marginalization, and cultural colonization perpetuated by the circulation and demand for

  7. “Beauty Everywhere” in Vincent van Gogh’s Paintings of Flowers

    Feb 27, 2019 - —Vincent van Gogh Vincent van Gogh sought solace in the natural world, to which he returned time and again for artistic inspiration. Cobalt Blue For the background of Vase with Gladioli and Chinese Asters, Van Gogh used his favorite cobalt blue. In comparison, the brushstrokes give the impression of a monochrome, flecked wallpaper. canvas, Kröller-Müller Museum, Otterlo. © Kröller-Müller Museum Blues & Oranges & White-Hot In 1888, Van Gogh traveled south by coach from Arles to Saintes-Maries-de-la-Mer, a seaside town on the Mediterranean, and stayed for

  8. The Idea of “HOME”: An Interview with Curator Chon Noriega

    Dec 8, 2017 - In Los Angeles, HOME resonated broadly, drawing a diverse and younger audience of more than 130,000 visitors, half of whom were visiting LACMA for first time. This approach made for a very different kind of exhibition—one that had a lot to say not only about Latino and Latin American cultures and societies, but also about the breakdown of the idea of “home” around the world since the HOME has large-scale work across several mediums, and for practical reasons, the crates could not be removed right away: It was like trying to arrange household furniture without first throwing out all the boxes the furniture

  9. Three Decades of West Coast Ceramics, 1956–1986

    Jan 30, 2013 - The resulting sculptural pieces were groundbreaking, and the search for a new aesthetic changed international ceramic art. Key figures in this revolution were Peter Voulkos and Robert Arneson. Voulkos founded the ceramics program at the Los Angeles County Art Institute (now Otis Art Institute) in 1954 and established California as the center for avant-garde ceramic art in the mid-20th century. Chouinard Art Institute, Los Angeles The Chouinard Art Institute was known for its progressive environment, and in the ceramics department this included having students of all levels share one large studio.

  10. Make Your Own Art Inspired by “Fire/Works”

    Mar 10, 2021 - The process of enameling has captivated artists and collectors for 1,000 years, and the exhibition Fire/Works: Enamel Art through the Centuries showcases the use of enamel across the world.