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Wozzeck
All the hallucinations that Büchner writes for Wozzeck are things that would never be seen in the 1830s, but were literally there in the 1910s.” Endowment funds are provided by the Louise Jarrett Moran Bequest; Caroline Wiess Law; Windgate Foundation; the William Randolph Hearst Foundation; Cyvia and Melvyn Wolff; the National Endowment for the Humanities; the Fondren
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Shaft
Accessibility The MFAH strives to provide a welcoming and accessible experience for all guests by offering a range of accommodations—learn more here. Generous support for the exhibition and opening celebration provided by:Anne Levy Charitable Trust/Jean KarotkinDr. Ruth SimmonsDrs. Jakeen and Garfield JohnsonSimin and Gaurdie BanisterDrs.
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The Black Power Mixtape: 1967–1975
Accessibility The MFAH strives to provide a welcoming and accessible experience for all guests by offering a range of accommodations—learn more here. Generous support for the exhibition and opening celebration provided by:Anne Levy Charitable Trust/Jean KarotkinDr. Ruth SimmonsDrs. Jakeen and Garfield JohnsonSimin and Gaurdie BanisterDrs.
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Art Encounters | Carve, Cut, Rework
Escher Looking for a new art experience? Drop-in “Art Encounters” programs, led by artists and inspired by art on view at the Museum, focus on creating community. The way you participate is up to you! The ephemeral experience ends with prints being torn into shreds for Braziel’s paper-making practice. Plan Your VisitOn Thursdays, general admission is free and the Museum is open 11 a.m. to 9 p.m.
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Artists in Dialogue “Afro-Atlantic Histories”
For Afro-Atlantic Histories, she has written the poem “Redemption,” after Charles Burnett’s film Killer of Sheep. Her book Horsepower was selected by former U.S. Poet Laureate Natasha Trethewey as the winner of the Donald Hall Prize for Poetry. Andrew I. Wilson is a resident in the 2021–2022 Galveston Artist Residency, which culminates in a summer exhibition.
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Conversations with Artists | “Data-Driven Art”
Norwood Viviano utilized glass-blowing techniques in tandem with 3-D modeling for Cities: Departure and Deviation. Conversations with Artists | December 9, 2021 This series brings MFAH curators together with artists whose works shaped the inaugural installations and special commissions for the Nancy and Rich Kinder Building.
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Georges Braque: A Retrospective
The MFAH is the only U.S. venue for Georges Braque: A Retrospective, which premiered at the Grand Palais in Paris and has been organized to mark the 50th anniversary of the French artist’s death. Generous funding is provided by: Anchorage Foundation of Texas National Endowment for the Arts The Brown Foundation, Inc. / Jeff Fort Robert Lehman Foundation The Scaler Foundation
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Roads of Arabia: Archaeology and History of the Kingdom of Saudi Arabia
Sackler Gallery, Smithsonian Institution, in association with the Saudi Commission for Tourism and Antiquities of the Kingdom of Saudi Arabia. Archaeology and History of the Kingdom of Saudi Arabia examines the impact of ancient trade routes that traversed the Arabian Peninsula, carrying precious frankincense and myrrh to Mesopotamia and the Greco-Roman world and allowing for
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“Texas Clay: 19th-Century Pottery from the Bayou Bend Collection”
Aug 11, 2015 - Generous funding for the exhibition and publication is provided by: Leslie and Brad Bucher in memory of Michael K. Dates September 5–November 1, 2015 Overview Texas Clay: 19th-Century Pottery from the Bayou Bend Collection focuses on early examples of Texas pottery from the collection of the Museum of Fine Arts, Houston, house museum for
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Lost Treasure of the Jewish Ghetto of Venice. Restored by Venetian Heritage Inc.
Feb 12, 2013 - The treasures remained untouched for more than 60 years, until they were accidentally discovered. Lost Treasure of the Jewish Ghetto of Venice. Some objects that relate to dining traditions include the ewer (washing cup) and basin, used for the washing of hands prior to eating, and two vegetable plates, used during Passover Seders. In 1516, the Venetian Senate established a residential area exclusively and mandatorily for Jews on the grounds of a former foundry (geto), claiming the Jews could not be allowed to live all over the city or in the same houses