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  1. Cosmic Dialogues: Selections from the Latin American Collection

    In the 1960s and 1970s, she developed a structural method for drawing in space with a series of flexible, hanging net sculptures made of stainless-steel wire. At a time when few paid attention to the physical depletion of the planet, The Hydrospatial City—begun in 1946 and completed in 1972—was both a sounding alarm and a poetic manifesto for survival in space.

  2. Antonio Berni: Juanito and Ramona

    Adler Sutherland Asbill & Brennan LLP The catalogue for this exhibition receives funding from Furthermore: a program of the J. M. Kaplan Fund. But in the mid-1950s, motivated by the social distress and poverty he witnessed in Argentina amid social unrest and the country’s industrialization, Berni abandoned painting for assemblage.

  3. Map of the Ten Thousand Countries of the Earth

    This exhibition is made possible by the James Ford Bell Trust for the Benefit of the James Ford Bell Library. This extraordinary map, installed in the Ting Tsung and Wei Fong Chao Arts of China Gallery, is on loan to the MFAH from the James Ford Bell Trust for the benefit of the James Ford Bell Library.

  4. Intimate Settings and Public Spaces: Impressionist and Post-Impressionist Drawings and Prints

    While they looked at their changing world, the Impressionists also turned inward for inspiration, utilizing friends and family as models set within their immediate surroundings. The Post-Impressionist artists, working mainly from the 1880s onward, continued to draw from the same subject matter as the Impressionists but developed different precepts for the use of color, pattern, form, and line.

  5. Father’s Day at Bayou Bend

    Highlights Free admission for fathers Light refreshments Live music from a musical duo led by Gary Weldon Self-guided tour in the house focusing on the role of parents in early America More Information About Bayou Bend Contact

  6. “Stay the Course”: An Interview with Artist Joyce J. Scott

    Jan 16, 2019 - I am 70 years old and I have always been looking for challenges and to defy myself. No matter what life gives you, stay the course. I’m sharing my love for ancient techniques—specifically African and indigenous techniques that are a part of who I am as well as a part of my culture. Do you have any advice for younger artists? JS: It’s a different world now than when I started working. We have new technology, the competition is dense, and we’re working with a globally connected population.

  7. Dangerous Curves: A “Sculpted in Steel” Chat with Ken Gross

    Mar 30, 2016 - The formula for sensuality included a long hood, a small cabin (just two seats), a rakish tail, and lots of curves. Just look at a Delahaye 135MS for proof. In the 1920s and 1930s, stars’ agents, and public relations people for film studios, sought to portray their clients in every luxurious setting.

  8. Walk Away Renee

    Oct 31, 2012 - Click here for the trailer, tickets, and more info. This was way back when their films existed only on bootleg VHS or Betamax tapes, and these kinds of films inevitably replaced my love for horror films. I would entertain myself for HOURS. All of this was, of course, pre-VCR (at least in my family), and it must have seemed as if I was on the autism spectrum.

  9. Harun Farocki: Art/Work and the Invisible Hand

    Farocki (born 1944) is a filmmaker, critic, editor, and curator who has lived and worked in Berlin for more than 40 years. Recent solo exhibitions have been mounted by the Museum of Modern Art in New York, the Beirut Art Center, Kunsthaus Bregenz in Austria, and the Centre for Contemporary Arts in Glasgow, Scotland. The Core Program at the Glassell School of Art receives generous funding from: The Joseph and Sylvia Slifka Foundation Andy Warhol Foundation The National Endowment for the Arts The following donors have underwritten

  10. MFAH Presents the 24th Annual “Eye on Houston: High School Documentary Photography” Exhibition

    Jan 16, 2019 - Chosen for this year’s exhibition were 93 photographs by sophomore, junior, and senior students. Participating students are from Austin High School, Bellaire High School, Carnegie Vanguard High School, DeBakey High School for Health Professions, Eastwood Academy, Jack Yates High School, Secondary DAEP, Westbury High School Interpretation programs at the Museum of Fine Arts, Houston, receive endowment funds provided by Louise Jarrett Moran Bequest; Caroline Wiess Law; the William Randolph Hearst Foundation; Cyvia and Melvyn Wolff; the National Endowment for