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  1. Leandro Erlich: Seeing Is Not Believing

    Seeing Is Not Believing serves as both a homecoming for him and a revelation for MFAH visitors. A Conversation with the Artist Leandro Erlich talks about Seeing Is Not Believing and other projects.  Culinary Canvas Treat yourself

  2. Off-site Exhibition: MFA Contemporary @ Heights Mercantile

    The MFAH and Heights Mercantile partnered to create MFA Contemporary @ Heights Mercantile, featuring a Museum-curated gallery space and free art-making activities for families. Spring 2018 In the video installation American Desert (for Chuck Jones), American artist Mungo Thomson uses Road Runner cartoons to offer a sly take on popular culture’s celebration of the American West as an enduring symbol

  3. A Texas Legacy: Selections from the William J. Hill Collection

    Generous support for this exhibition is provided by Mr. William J. Hill. More than 65 works of art are on view, created for both personal and commercial use.

  4. Pablo Bronstein: We Live in Mannerist Times

    Complementing the renderings are selected porcelains from the Rienzi Collection, providing a three-dimensional context for the drawings. He draws inspiration from machines developed and used during the Industrial Revolution to manufacture mass-produced goods, as well as for fine porcelain objects.

  5. Eye on Houston: High School Documentary Photography (2013)

    It is home to many of the city’s oldest Mexican-American neighborhoods, as well as Harrisburg, the seat of government for the Republic of Texas in 1836. All education programs at the Museum of Fine Arts, Houston, receive endowment income from funds provided by Caroline Wiess Law; the National Endowment for the Humanities; the William Randolph Hearst Foundation; the Fondren Foundation

  6. CHARLES LEDRAY: workworkworkworkwork

    Writing for the Boston Globe, Sebastian Smee extolled: “LeDray has a poet’s ability to concentrate and lift the imagination. —New York Times For more than 20 years, New York-based artist Charles LeDray has created handmade sculptures in stitched fabric, carved bone, and wheel-thrown clay.

  7. “Silver: An American Art—Selections from the Museum of Fine Arts, Houston”

    Aug 18, 2014 - Naeve and Mary Beth Baird, also have brought to the Museum the works of unsung female silversmiths, unusual flatware made for the Victorian dining table, unique wares made for the 1900 World’s Fair in Paris, and many other treasures

  8. Let’s Dance! Celebrate National Dance Day with Works of Art

    Jul 23, 2018 - An integral part of religions and cultures for millennia, dance appears in visual arts from all over the world. Muhammad Baqir, Dancing Girl, 1778–79 Location: Law Building, 1st floor Dancing Girl was probably displayed in a private space within a royal palace, where she could join in with other painted and live dancers and musicians for Faliscan, White-Figure Bell Krater with Dancing Satyrs, 400–351 BC Location: Beck Building, 2nd floor Eight jovial satyrs—followers of Dionysus, the Greek god of wine—dance across this large vessel used for mixing water and

  9. Drawn in by Lines: Examining Old Master Works on Paper in the Horning Collection

    Apr 7, 2017 - Art collectors Marjorie and Evan Horning gifted many fine works to the Museum of Fine Arts, Houston, over the years, as public access to Old Master and modern prints was a major consideration for them. They also set up a print fund in 1987, something Evan felt was important “since acquiring early prints and some relatively recent prints by major artists for both study and intermittent display is becoming more difficult.”* was a fascinating activity that “open[ed] up a whole new world of interest.”† Now with the online exhibition, their collection can reach beyond its home and the Museum’s walls onto screens anywhere—further extending the chance for

  10. Handling “Ron Mueck”: An Interview with Chief Preparator Dale Benson

    Mar 24, 2017 - I’ve been in preparations for more than 25 years, and this exhibition is unique—simply because Ron Mueck’s sculptures are so lifelike. I’m constantly waiting for a chest to breathe or an eye to blink. The very large, monumental pieces are, for their size, extremely light. If they were made of solid wood or stone rather than fiberglass and silicon rubber, they would require special lifting equipment.