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  1. “Rain” Travels to the Buffalo Bayou Park Cistern

    Jan 3, 2017 - The cistern’s cavernous interior and 17-second acoustic reverberation time make for an immersive art environment as the 1-minute, 56-second video plays on a loop. The installation’s sounds evoke a thunderstorm—a watery theme that complements the cistern, which was built as a drinking-water reservoir in 1926 for the City of Houston and still features a floor of shallow water.

  2. Divine Intervention (Yadon ilaheyya)

    Underwriting for the Film Department is provided by Tenaris, The June Leaf and Robert Frank Foundation, and the Vaughn Foundation. Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Lois Chiles; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.

  3. The Punishment (El castigo)

    After leaving their son alone in the woods for a few minutes as a punishment for misbehaving during a family drive, Ana and Mateo embark on a desperate search to find him.

  4. Pandora’s Box

    Underwriting for the Film Department is provided by Tenaris, The June Leaf and Robert Frank Foundation, and the Vaughn Foundation. Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Lois Chiles; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.

  5. Skillful Hands: The Apprentice in Europe

    Formal education was mainly out of reach for many children from middle-class and low-income families. Rienzi, the MFAH house museum for European decorative arts, presents special exhibitions that are included with general admission.

  6. Clarissa Tossin: White Marble Everyday

    A champion of Brazil’s Communist Party, Niemeyer declared his architecture was “for the people,” but as Tossin demonstrates, his creations can be sustained only by the people Niemeyer claimed to serve. Constructed to displace the historic capital of Rio de Janeiro in 1960, Brasília has been celebrated internationally for its radical conception of a utopian city, following the master plan of Lúcio Costa and shaped by the visionary

  7. Hidden Hands: Invisible Workers in Industrial England

    Rienzi, the MFAH house museum for European decorative arts, presents special exhibitions twice a year. The introduction of new materials and technological innovation in the 18th century sparked an increased demand for luxury objects and useful wares made of ceramics, glass, and metals.

  8. Peter Fischli and David Weiss: Büsi (Kitty)

    Originally commissioned for display in New York City’s Times Square, the video shows a house cat, filmed close up, lapping milk from a saucer, with light striking its fur to create a halo. However, the duo was not out for cheap laughs. “Büsi was not made as a discussion about kitsch,” Fischli said. “There was just something super-nice about this cat that we were attracted to.”

  9. 2016 Core Exhibition

    The Core Program at the Glassell School of Art receives generous funding from The Joseph and Sylvia Slifka Foundation and the National Endowment for the Arts. The 2016 Core Exhibition is on display in the Audrey Jones Beck Building at the MFAH while the new facility for the Glassell School of Art, designed by Steven Holl Architects, is under construction.

  10. Deco Nights: Evenings in the Jazz Age

    Notable for its “anything goes” sophistication, the era was closely identified with a new, free-form kind of music: jazz. Numerous working women could now afford to participate in the burgeoning consumer culture, buying expensive perfumes, beaded evening bags, and jeweled cigarette holders for chic nights on the town.