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Antonio Berni’s Monumental “Juanito and Ramona” Series Presented at the Museum of Fine Arts, Houston, in November 2013
Sep 9, 2013 - Berni scoured the flea markets and antique stores of Paris for the bits of lace, macramé and finery that he used to convey the excesses of her glamorous life, along with spare parts for television sets, radios, refrigerators and For his signature woodcut and collage-based technique, the "xylo-collage-relief" he used for Ramona, Berni applied pieces of lace, buttons, industrial machine parts, egg cartons, garments, lace doilies and other elaborate trimmings The exhibition is co-curated by Mari Carmen Ramírez, MFAH Wortham Curator of Latin American Art and director of the International Center for the Arts of the Americas (ICAA); and Marcelo E.
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A New Type of Royal Portrait: Queen Victoria & Photography
Oct 3, 2018 - One monarch, especially, set a new precedent for how royals were depicted: Queen Victoria (1819–1901). The exhibition not only showcases the many characters who, for better or worse, ruled Britain since the late 1400s, it also illustrates how they were memorialized in art.
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“Rain” Travels to the Buffalo Bayou Park Cistern
Jan 3, 2017 - The cistern’s cavernous interior and 17-second acoustic reverberation time make for an immersive art environment as the 1-minute, 56-second video plays on a loop. The installation’s sounds evoke a thunderstorm—a watery theme that complements the cistern, which was built as a drinking-water reservoir in 1926 for the City of Houston and still features a floor of shallow water.
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Hidden Hands: Invisible Workers in Industrial England
Rienzi, the MFAH house museum for European decorative arts, presents special exhibitions twice a year. The introduction of new materials and technological innovation in the 18th century sparked an increased demand for luxury objects and useful wares made of ceramics, glass, and metals.
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Peter Fischli and David Weiss: Büsi (Kitty)
Originally commissioned for display in New York City’s Times Square, the video shows a house cat, filmed close up, lapping milk from a saucer, with light striking its fur to create a halo. However, the duo was not out for cheap laughs. “Büsi was not made as a discussion about kitsch,” Fischli said. “There was just something super-nice about this cat that we were attracted to.”
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2016 Core Exhibition
The Core Program at the Glassell School of Art receives generous funding from The Joseph and Sylvia Slifka Foundation and the National Endowment for the Arts. The 2016 Core Exhibition is on display in the Audrey Jones Beck Building at the MFAH while the new facility for the Glassell School of Art, designed by Steven Holl Architects, is under construction.
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Deco Nights: Evenings in the Jazz Age
Notable for its “anything goes” sophistication, the era was closely identified with a new, free-form kind of music: jazz. Numerous working women could now afford to participate in the burgeoning consumer culture, buying expensive perfumes, beaded evening bags, and jeweled cigarette holders for chic nights on the town.
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Pattern Repeat: Wallpaper Then and Now
Pattern Repeat: Wallpaper Then and Now presents, for the first time, masterly examples of 19th- and early-20th-century wallpaper design from the MFAH collection. Wallpaper elicits strong, almost visceral, emotions for many people, as evidenced by the reported last words of the great 19th-century Irish wit Oscar Wilde: “My wallpaper and I are fighting a duel to the death.
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Divine Intervention (Yadon ilaheyya)
Underwriting for the Film Department is provided by Tenaris, The June Leaf and Robert Frank Foundation, and the Vaughn Foundation. Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Lois Chiles; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.
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The Punishment (El castigo)
After leaving their son alone in the woods for a few minutes as a punishment for misbehaving during a family drive, Ana and Mateo embark on a desperate search to find him.