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  1. Portraits of the displaced on view in “Homelands and Histories: Photographs by Fazal Sheikh” at the Museum of Fine Arts, Houston, in May

    Apr 3, 2017 - The MFAH is also home to the Glassell School of Art and its acclaimed Core Residency Program and Junior and Studio Schools; and the International Center for the Arts of the Americas (ICAA), a leading research institute for 20th-century Additional spaces include a repertory cinema, two libraries, public archives, and facilities for conservation and storage. The exhibition celebrates a major acquisition of works spanning decades and continents   HOUSTON, Texas—April 3, 2017—For the past 25 years, photographer Fazal Sheikh has captured images of refugees and other displaced or marginalized

  2. A New Type of Royal Portrait: Queen Victoria & Photography

    Oct 3, 2018 - One monarch, especially, set a new precedent for how royals were depicted: Queen Victoria (1819–1901). The exhibition not only showcases the many characters who, for better or worse, ruled Britain since the late 1400s, it also illustrates how they were memorialized in art.

  3. “Rain” Travels to the Buffalo Bayou Park Cistern

    Jan 3, 2017 - The cistern’s cavernous interior and 17-second acoustic reverberation time make for an immersive art environment as the 1-minute, 56-second video plays on a loop. The installation’s sounds evoke a thunderstorm—a watery theme that complements the cistern, which was built as a drinking-water reservoir in 1926 for the City of Houston and still features a floor of shallow water.

  4. Divine Intervention (Yadon ilaheyya)

    Underwriting for the Film Department is provided by Tenaris, The June Leaf and Robert Frank Foundation, and the Vaughn Foundation. Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Lois Chiles; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.

  5. Public Dress

    Jun 19, 2012 - The photographs of Ishimoto Yasuhiro and Zig Jackson emphasize a decisive moment for both the photographer and the subject, whether in making a picture or selecting what to wear. The photographs by Will van Overbeek, Janice Rubin and Carl Clark explore how people groom themselves for a special occasion. Media Contact MFAH Communications: 713.639.7554

  6. Concert | ROCO Connections “A House of My Own” at Rienzi

    More InformationVisit roco.org for additional information. Safety Guidelines In the interest of your personal safety and community health, please observe all precautions set forth by the MFAH—learn more here. Education programs at Rienzi receive generous funding from the Sterling-Turner Foundation; Alkek and Williams Foundation; Carroll Sterling and Harris Masterson III Endowment; and the Caroline Wiess Law Endowment for Rienzi.

  7. Skillful Hands: The Apprentice in Europe

    Formal education was mainly out of reach for many children from middle-class and low-income families. Rienzi, the MFAH house museum for European decorative arts, presents special exhibitions that are included with general admission.

  8. Clarissa Tossin: White Marble Everyday

    A champion of Brazil’s Communist Party, Niemeyer declared his architecture was “for the people,” but as Tossin demonstrates, his creations can be sustained only by the people Niemeyer claimed to serve. Constructed to displace the historic capital of Rio de Janeiro in 1960, Brasília has been celebrated internationally for its radical conception of a utopian city, following the master plan of Lúcio Costa and shaped by the visionary

  9. Hidden Hands: Invisible Workers in Industrial England

    Rienzi, the MFAH house museum for European decorative arts, presents special exhibitions twice a year. The introduction of new materials and technological innovation in the 18th century sparked an increased demand for luxury objects and useful wares made of ceramics, glass, and metals.

  10. Peter Fischli and David Weiss: Büsi (Kitty)

    Originally commissioned for display in New York City’s Times Square, the video shows a house cat, filmed close up, lapping milk from a saucer, with light striking its fur to create a halo. However, the duo was not out for cheap laughs. “Büsi was not made as a discussion about kitsch,” Fischli said. “There was just something super-nice about this cat that we were attracted to.”