On Friday, September 25, the Museum closes at 6 pm and the Law Building is closed all day. 
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  1. About Dry Grasses (Kuru Otlar Üstüne)

    Underwriting for the Film Department is provided by Tenaris, The June Leaf and Robert Frank Foundation, and the Vaughn Foundation. Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Lois Chiles; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.

  2. Mountains

    Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Lois Chiles; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms. Film Festival: Winner, Jury Award—Best Narrative Feature 2023 New Hampshire Film Festival: Winner, Grand Jury Award—Narrative Feature 2023 Blackstar Film Festival: Winner, Audience Award—Best Feature Narrative   Underwriting for

  3. A Revolution on Canvas

    Community partners: Society of Iranian-American Women for Education and the Iranian Cultural Foundation-Houston film follows efforts by the artist and his daughter to recover the missing paintings while also exploring their complicated family history. 2023 Hamptons International Film Festival: Winner, Brizzolar Family Foundation Award for

  4. Punch Party at Rienzi

    This event is for ages 21+  Tickets $65 Adults $60 MFAH Members More Information About Rienzi Contact [email protected] with questions. Education programs at Rienzi receive generous funding from the Sterling-Turner Foundation; Alkek and Williams Foundation; Carroll Sterling and Harris Masterson III Endowment; and the Caroline Wiess Law Endowment for Rienzi.

  5. The Apple Day (Rooz-e sib)

    Special thanks to community partners Society of Iranian American Women for Education and Iranian Cultural Foundation-Houston. Accessibility The MFAH strives to provide a welcoming and accessible experience for all guests by offering a range of accommodations—learn more here. Generous support is provided by the ILEX Foundation.

  6. Looking South: Collecting the Arts of Mexico

    Rienzi, the MFAH house museum for European decorative arts, presents special exhibitions twice a year. Exhibitions are included with general admission. Their affinity for the country was part of a larger American fascination with Mexico between the 1910s and 1940s. Harris attended high school in Mexico City in the late 1920s.

  7. Perpetual Bloom: Botanicals in the 18th-Century Interior

    Rienzi, the MFAH house museum for European decorative arts, presents special exhibitions twice a year. These new discoveries ignited a craze for landscape gardens both in and out of doors. Perpetual Bloom explores the ways in which botanicals were displayed and re-created in domestic interiors during the 1700s.

  8. Eye on Third Ward: Jack Yates High School Photography

    MFAH staff members select the best photographs for display in an annual exhibition. Now in its 16th year, Eye on Third Ward continues to inspire museum visitors along with the participants. All education programs at the Museum of Fine Arts, Houston, receive endowment income from funds provided by Caroline Wiess Law; the National Endowment for the Humanities; the William Randolph Hearst Foundation; the Fondren Foundation

  9. The Story of Azaleas at Bayou Bend

    Aug 29, 2016 - I did not plan for it to happen during Bayou Bend’s 50th-anniversary year, but isn’t it nice that it did! By planting the Asian azalea—the iconic Southern flower—throughout Bayou Bend’s gardens, she was creating a very Southern experience for her guests. Wanda Hanners and Bart Brechter in early 2016 I understand you have a wonderful announcement to make about your 15-year quest for the lost azaleas.

  10. Duncan Phyfe: Master Cabinetmaker in New York

    Mar 21, 2012 - For more information, please contact: MFAH Communications 713.639.7554 His personal style, characterized by superior proportions, balance, symmetry and restraint, became the local style for at least two generations in New York. Throughout the first half of the 19th century he made neoclassical furniture for the social and mercantile elite of New York, Philadelphia and the American South.