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  1. “Stronger than COVID-19” Empowering Houston High School Seniors to Reclaim the Narrative of Their Senior Year

    Aug 21, 2020 - We have seen families draw together, and we continue to see that we shape the reality of our world by the vision we uphold for our children, our families, and our communities.

  2. A Valentine’s Day Guide to Meddling Gods & Broken Hearts

    Feb 12, 2018 - See which art couple you and your sweetheart are: Take our BuzzFeed quiz inspired by the Twilight Tour on February 14 at our beautiful house museum Rienzi. Keep an eye out for these when you visit on Valentine’s Day (or, maybe more appropriately, Singles Awareness Day): Jan Brueghel the Elder, Diana and Actaeon, c. 1600 Location: Beck Building, second floor Acteon & Diana

  3. Colors of the Oasis: Central Asian Ikats

    Colors of the Oasis: Central Asian Ikats showcases nearly 50 ikat robes and panels from the renowned Murad Megalli Collection of the Textile Museum in Washington D.C.

  4. Monet and the Seine: Impressions of a River

    This beautiful exhibition brings together more than 50 paintings on loan from locations around the world.

  5. Exploring 4,000 Years of Spiritual Belief and Practice through 200 Great Works of Art in the Exhibition “Living with the Gods,” Opening in October

    Aug 7, 2024 - This exhibition is a magnificent capstone to our first century as a museum." We are honored that he brought that perspective to Houston, making it visible through objects chosen from our own collections as well as some truly exceptional loans. Pentecost (c. 1600), by El Greco, from the Prado, Madrid This monumental altarpiece depicts the Christian holy day of Pentecost, when the Holy Spirit, in the form of flames, rested on the Virgin Mary and the Apostles in Jerusalem, 50

  6. MFAH Opens New Galleries for Art of the Islamic Worlds on March 5

    Jan 23, 2023 - Carefully assembled over the past 50 years, the distinguished Afshar Collection conveys the rich artistic traditions of Iranian civilization from the 7th to 19th century, in several hundred exquisite paintings, significant ceramics “The new galleries are a culmination of the strong partnership between the Museum, our dynamic Houston communities, and an extraordinary historical collection,” said Aimée Froom, curator, Art of the Islamic Worlds at the MFAH. And we are immensely grateful to Hossein Afshar, creator of perhaps the most extensive collection of Iranian art in private hands, for placing his collection on long-term loan so that we may enhance our effort to reflect the city

  7. Journey through the Egyptian Afterlife with Matthew Barney’s “River of Fundament”

    Sep 1, 2016 - His newest film, River of Fundament, deals with mythic ways of understanding our bodily functions. Our bodies are earthly vessels that transform foodstuffs into both our life force and feces. The Egyptians, without the advantage of scientific images, made stories of both our bodies and spirits, separating the organs after death to be guarded by gods on what was understood as an actual journey into other realms.

  8. MFAH + Houston Zoo Crossover: A Tale of Two Curators

    Nov 8, 2019 - Aimée Froom: I was curious to learn more about the birds depicted in our miniature paintings. Now, we meet for lunch to stay in touch about our projects. What’s the process for identifying a bird in a painting? We both have to take into account the origins and cultural significance of our different charges. AF: We are working toward similar goals.

  9. Virtual Cinema “Killer of Sheep” and “Proud”

    Jul 11, 2020 - One of the first 50 films selected for the Library of Congress National Film Registry, Killer of Sheep is presented as part of the film series accompanying the exhibition Soul of a Nation: Art in the Age of Black Power.

  10. Cosmic Dialogues: Selections from the Latin American Collection

    This exhibition features nearly 50 significant sculptures and drawings created over the past 70 years, including immersive light installations, rarely seen works on paper, and masterpieces of Kinetic art.