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  1. Conquest & Alliance: The Lal Dera (Red Tent) of “Peacock in the Desert”

    Jul 11, 2018 - It is similar to tents erected for rulers in encampments during military campaigns to match the splendor of royal residences. Carefully installed for the exhibition, the tent’s canopy and back wall are from the original Lal Dera, which was made in the late 17th- or early-18th-century. Red tents were reserved for rulers of the Mughal Empire, so the Lal Dera may have been captured from a Mughal camp by a rebellious maharaja.* Did Shah Jahan, builder of the Taj Mahal, use this historical tent?

  2. Sip & Stroll | Cool Off with Caladiums

    Tickets $40 per person $35 for MFAH Members This event is for ages 21+ More Information About Bayou Bend Contact [email protected] with questions. Bart Bretcher, head of gardens and landscape for Bayou Bend and Rienzi, is on hand throughout the evening, sharing his expertise and answering questions about the caladiums and the grounds.

  3. Taking Venice

    Underwriting for the Film Department is provided by Tenaris, The June Leaf and Robert Frank Foundation, and the Vaughn Foundation. Alice Denney, a Washington insider and friend of the Kennedys, recommends ambitious curator Alan Solomon to organize the American entry for the Venice Biennale. Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Lois Chiles; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.

  4. Van Gogh survey opens at the Museum of Fine Arts, Houston, in March 2019

    Dec 6, 2018 - “We are grateful to the Van Gogh and Kröller-Müller museums for lending so many of these rarely traveled masterworks from their collections for this exclusive presentation here in Houston.” Van Gogh sent his work to Theo in exchange for the financial support his brother offered. Greenberg This exhibition is supported in part by the National Endowment for the Arts.

  5. Man on a Mission

    Oct 16, 2012 - BD: While a location consultant for the state, I worked with Rick Ferguson and Alfred Cervantes at the Houston Film Commission for many years. BD: Mike [Woolf, the director] and I had known Richard for a while and were following his story with interest. I wanted to make this film because I believe in Richard's vision of a bright future for humanity in space. Truly dedicated individuals are rare and uplifting.

  6. Shelley Duvall: 3 Memorable Roles

    Underwriting for the Film Department is provided by Tenaris, The June Leaf and Robert Frank Foundation, and the Vaughn Foundation. Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.

  7. Winter Break | Family Films

    Underwriting for the Film Department is provided by Tenaris, The June Leaf and Robert Frank Foundation, and the Vaughn Foundation. Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.

  8. Virtual Cinema: “Losing Ground” and “Jazz on a Summer’s Day”

    Aug 9, 2020 - SEE THE TRAILER    Underwriting for the Film Department is provided by Tenaris and the Vaughn Foundation. Scroll down for streaming info. In honor of the film’s recent restoration, Losing Ground cinematographer Ronald K. Scroll down for streaming info. • Losing Ground WATCH HERE Your purchase ($4.99) supports the MFAH & provides a 3-day pass to the film.

  9. MFAH Films Brings India to the Big Screen

    Apr 13, 2018 - Stay tuned for details! As I’ve worked on projects for MFAH Films—from the fall 2017 edition of the Houston Cinema Arts Festival to the upcoming Latin Wave 13—I’ve gained a new appreciation not only for film, but also for my own Indian culture. In my time as the Museum’s 2017–18 Camfield Fellow, my passion for art and film has grown enormously.

  10. “Impressionist and Post-Impressionist Masterpieces from the Pearlman Foundation” Opens May 21 at the MFAH

    Mar 8, 2023 - Enchanted by the painting, Pearlman made a successful bid for the work—View of Céret (1921–22), on view in this exhibition—and that first purchase triggered a passion for collecting that endured for the rest of his life. The MFAH is also home to the Glassell School of Art, with its Core Residency Program and Junior and Studio schools; and the International Center for the Arts of the Americas (ICAA), a leading research institute for 20th-century Pearlman met with him there in 1948, and sat for his portrait, which is presented here, as is Lipchitz’s 1952 portrait bust of the collector.