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  1. Naked Acts

    Davis sets out to examine the impact on self-image of “the dominant film portrayals of Black women in this country’s cinematic history” and “to get beyond the limitations placed on our bodies by our racialized past.” Underwriting for the Film Department is provided by Tenaris, The June Leaf and Robert Frank Foundation, and the Vaughn Foundation. Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Lois Chiles; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.

  2. “HOME—So Different, So Appealing” Travels to the Museum of Fine Arts, Houston, in November

    Oct 30, 2017 - ; and Pilar Tompkins Rivas, the director of the Vincent Price Art Museum at East Los Angeles College. For this work, Argote removed the multi-room carpet from her childhood home and reinstalled it in a gallery setting. Noriega, director of the UCLA CRSC; Mari Carmen Ramírez, Wortham Curator of Latin American Art at the MFAH; and Pilar Tompkins Rivas, the director of the Vincent Price Art Museum, HOME—So Different, So Appealing debuted in June

  3. Artist Talk | Aspen Golann "Tools for the Future"

    initiative creating pathways to traditional craft for marginalized makers. Plan Your Visit Included with Museum admission. Seating available on a first-come, first-served basis. This program takes place in Lynn Wyatt Theater in the Kinder Building. Golann serves on the boards of the Chairmaker’s Toolbox, A Workshop of Our Own, the Furniture Society, and the Society of Arts & Crafts. Presented by: Special thanks to PaperCity

  4. For America’s 250th, the Museum of Fine Arts, Houston, Highlights Collection Works That Speak to the American Experience

    Jun 17, 2026 - The curators’ choices will allow our visitors to experience our collections framed within a series of illuminating and sometimes surprising narratives.”   The MFAH is also home to the Glassell School of Art, with its Core Residency Program and Junior and Studio schools; and the International Center for the Arts of the Americas (ICAA), a leading research institute for 20th-century On the occasion of the nation’s 250th anniversary, we saw a singular opportunity to look at our collections and select objects that reflect the multitudes of individuals who have contributed to the identity of our nation.

  5. New Year Reflections

    Dec 30, 2011 - There are also concerns posed by our regulatory obligations. Presently, it is not unusual for archives staff to drive several miles to our off-site facility, climb a ladder to retrieve a box and search through folders to retrieve what are essentially print-outs of records that exist on For over 25 years, there has been a social contract with the public – as well as with our own staff - to provide access to the museum’s archival record and there is an expectation that the access will continue, however, at present

  6. The Idea of “HOME”: An Interview with Curator Chon Noriega

    Dec 8, 2017 - Chon Noriega, director of the UCLA Chicano Studies Research Center, is one of the curators—along with Mari Carmen Ramírez of the MFAH and Pilar Tompkins Rivas of the Vincent Price Art Museum. In Los Angeles, HOME resonated broadly, drawing a diverse and younger audience of more than 130,000 visitors, half of whom were visiting LACMA for first time. This approach made for a very different kind of exhibition—one that had a lot to say not only about Latino and Latin American cultures and societies, but also about the breakdown of the idea of “home” around the world since the

  7. Three Decades of West Coast Ceramics, 1956–1986

    Jan 30, 2013 - Voulkos’s first students and colleagues included John Mason, Ken Price, Michael Frimkess and Paul Soldner, whose work can be seen in the exhibition. The resulting sculptural pieces were groundbreaking, and the search for a new aesthetic changed international ceramic art. Key figures in this revolution were Peter Voulkos and Robert Arneson. Voulkos founded the ceramics program at the Los Angeles County Art Institute (now Otis Art Institute) in 1954 and established California as the center for avant-garde ceramic art in the mid-20th century.

  8. Kehinde Wiley: An Archaeology of Silence

    For Wiley, Holbein’s painting triggered an ongoing investigation into the iconography of repose and sacrifice in Western art. —Kehinde Wiley  Kehinde Wiley: An Archaeology of Silence showcases Kehinde Wiley’s new, monumental body of work, with large-scale paintings and sculptures of men and women in repose. ShowFind a variety of exhibition-related items at the MFA Shop, including scarves, bags, candles, umbrellas, books, and apparel. Culinary CanvasVisit the exhibition from Wednesday through Friday, stop by Le Jardinier at MFAH for

  9. MFAH + Houston Zoo Crossover: A Tale of Two Curators

    Nov 8, 2019 - Now, we meet for lunch to stay in touch about our projects. What’s the process for identifying a bird in a painting? CH: We both study and care for collections, making sure they are well documented for the future. But as he mentions, we are both caretakers who preserve, study, and exhibit our collections of birds and art for the public. Learn MoreThe book Bestowing Beauty: Masterpieces from Persian Lands—Selections from the Hossein Afshar

  10. The MFAH Book Club Goes Digital!

    Aug 7, 2017 - for individuals on the go. You also have the option to come to the Museum for one of two scheduled drop-in tours of the galleries. The summer session runs through September 30, so feel free to visit the Goodreads group any time and contribute to the conversation—or just check out other people’s thoughts!