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Showing results for oaxaca art exhibit,
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Quite Like Paradise (Casi el Paraíso)
Introduction and post-film Q&A with director Edgar San Juan Quite Like Paradise is a dark satirical comedy about the art of deception.
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Grand Slam | Poetry Competition
.; the Wallace Foundation; the Neal Myers and Ken Black Children’s Art Fund; the Eleanor and Frank Freed Foundation; Medha and Shashank Karve; Virginia and Ira Jackson; Jesse H.
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Lulu
.; the Wallace Foundation; the Neal Myers and Ken Black Children’s Art Fund; Mr. and Mrs. A. L. Ballard; Mr. and Mrs. Charles W.
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Wozzeck
.; the Wallace Foundation; the Neal Myers and Ken Black Children’s Art Fund; Mr. and Mrs. A. L. Ballard; Mr. and Mrs. Charles W.
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Lecture | Archaeology Now—The Marsh Arab Story: Ancient Cultures, Modern Lives
.; the Wallace Foundation; the Neal Myers and Ken Black Children’s Art Fund; Mr. and Mrs. A. L. Ballard; Mr. and Mrs. Charles W.
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Poetry Performance | “Portrait of Courage”
“Portrait of Courage: Gentileschi, Wiley, and the Story of Judith” is organized by the Museo e Real Bosco di Capodimonte, the North Carolina Museum of Art, the Museum of Fine Arts, Houston, and the museum box.
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Space City Grand Slam
.; the Wallace Foundation; the Neal Myers and Ken Black Children’s Art Fund; Mr. and Mrs. A. L. Ballard; Mr. and Mrs. Charles W.
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Lecture | Zenga: A New History
Chambers and Andrea Okamura Professor of the History of Art and Architecture at Harvard University.
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MFAH Director Gary Tinterow will be joined by artists Mike and Doug Starn for “Conversations with the Director” on Thursday, June 7
May 29, 2018 - Among their most recent commissions are a monumental glass and metal sculpture on the plaza of the Princeton University Art Museum and a 90-foot-long glass wall façade for the U.S. Embassy in Moscow.
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Assembling “The Light Inside”
Aug 9, 2013 - RL: My name is Russ Lane, and I am a preparator (or art handler) at the MFAH. I started at the Museum in 2008. Before that, I studied agricultural journalism at Texas A&M. After Turrell and our curator of Contemporary Art and Special Projects, Alison de Lima Greene, agreed upon the exhibition design, most of the nuts-and-bolts planning was done through the office of our associate director in charge