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  1. Three Questions for Christopher Rothko

    Nov 4, 2015 - The exhibition Mark Rothko: A Retrospective brought to Houston—its only U.S. venue—a visit from a top Rothko scholar who also happens to be the artist’s son. Hear more from Christopher on Monday, November 16, when he returns to the Museum to discuss his father’s work with our director, Gary Tinterow, at Conversations with the Director.

  2. “Shooting the Moon: Photographs from the Museum’s Collection 50 Years after Apollo 11”

    Jun 6, 2019 - Related Programming For additional details and admission information visit mfah.org/calendar Our Youngest Artists | “Inspired by Milestones” Friday, July 19, 10:30 to 11:15 a.m. & 11:30 a.m. to 12:15 p.m. The event concludes with a visit to the galleries to see the work of art that inspired the day’s program. $8 per child, $6 per child for MFAH members. Adults can attend for free with general admission.

  3. The Museum of Fine Arts, Houston, Presents "James Turrell: The Light Inside"

    Feb 26, 2013 - Now nearing completion, Roden Crater exists at a scale unmatched by any artwork of our time, as Turrell has carefully shaped its obdurate mass, creating a vessel for light that defines our place on earth and reaches to the sun "James Turrell has worked with the medium of light to create some of the most extraordinary and deeply beautiful art of our time," commented Gary Tinterow, MFAH director. We are particularly proud to own so many key examples of his work, which we will present in conjunction with the parallel exhibitions conceived by our colleagues in Los Angeles and New York."

  4. Care Like a Conservator: How to Preserve Your Treasures at Home

    Apr 7, 2020 - We tailor our environment to provide the best possible conditions for the collections so that our common history can be passed on for generations to come.

  5. Southern Exposures: The Photography of Sally Mann

    Feb 14, 2019 - In that sense, Southern artists are like certain of our mountain religious folk, who, in their devotions, subject themselves to snake bites that would kill or disable anyone else. Oh, the obsession with place, with family, with both the personal and the social past; the susceptibility to myth; the love of this light, which is all our own; and the readiness to experiment with dosages of romance that would

  6. A “Mad Career” to Preserve and Share America’s Past at Bayou Bend

    Jun 30, 2016 - Our own hope is to continue her vision, sharing her passion for America’s heritage to inspire visitors for years to come. The objects . . . have historical significance and are intended to stimulate a keener interest in the social and economic history of our country.

  7. Community Artists’ Collective

    Jun 13, 2020 - “I hope viewers will examine this work through their own lenses and have a dialogue with me in person or through the work about the history of racist institutions and racism in our country and what we can do in our own spheres

  8. Happy Thanksgiving! Curatorial Picks for the Holiday

    Nov 17, 2017 - I am reminded of all that our culture owes to the original peoples of the Americas. See what some of our curators say about works of art that evoke similar traditions and values around the world. —Kanitra Fletcher, curatorial assistant, contemporary art and special projects   Sandy Skoglund, Two Plates of Corn, 1978 Our vision of a perfect Thanksgiving dinner—juicy turkeys, bright vegetables, and perfectly prepared

  9. For Slow Art Day, Cai Guo-Qiang’s “Odyssey”

    Apr 1, 2020 - Saturday, April 4, is the 10th annual worldwide Slow Art Day, when all of us are encouraged to spend real time with a work of art: at least 5 to 10 minutes—more than the 30 seconds studies have shown is our average when we encounter

  10. The Museum of Fine Arts, Houston, presents “Beatriz González: A Retrospective”

    Sep 14, 2019 - efforts to build awareness and appreciation of the diverse artistic production of Latin American and Latino artists among our audiences. The Museum is honored to present this retrospective of Beatriz González’s work, in partnership with our colleagues at the Pérez Museum.” “Through her work González proved that art can express pain and grief without resorting to the clichés of figurative painting, creating harrowing images that remain in our consciousness long after we have seen them.”