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  1. Patron-Plus Members Preview | "Buddha | Nature"

    Plan Your Visit The exhibition is located on the Lower Level of the Beck Building. The exhibition traces a path through Buddhist wisdom using both ancient sculpture and contemporary art to illuminate the ecological and ethical questions of our time.  MFAH members at the Patron, Supporting, Sponsor, Benefactor, and Leadership Circle levels are invited to an exclusive preview of Buddha / Nature: Five Dialogues on Our Shared World before it opens to the public.

  2. Monster (Kaibutsu)

    Continually left without satisfactory answers—and with an increasingly distressed child—she furiously escalates her concerns to the school board and the media.

  3. Questioning the Line: Gego, A Selection, 1955–90

    the Line traces the evolution of the career of German-born Venezuelan artist Gego (Gertrud Goldschmidt), from a series of early drawings, prints, and sculptures of the late 1950s to her distinctive wire constructions—“drawings without

  4. The Museum of Fine Arts, Houston, presents “Beatriz González: A Retrospective”

    Sep 14, 2019 - “Through her work González proved that art can express pain and grief without resorting to the clichés of figurative painting, creating harrowing images that remain in our consciousness long after we have seen them.” efforts to build awareness and appreciation of the diverse artistic production of Latin American and Latino artists among our audiences. The Museum is honored to present this retrospective of Beatriz González’s work, in partnership with our colleagues at the Pérez Museum.”

  5. Reinstallation of MFAH Galleries for European Art

    Jun 6, 2022 - “Following on the reinstallation of our American galleries, in 2020, we have similarly rethought the display of our European collections to more fully express the history, culture, and faith in which these works were originally Dated 1578, the piece was discovered in 2020 in an online regional auction by a U.K. art dealer. It is believed to be the only artwork still in existence bearing de Court’s signature. “This new, interdisciplinary presentation furthers a new approach to our collections,” commented MFAH director Gary Tinterow.

  6. hang@MFAH: A Place for Teens

    Jun 27, 2013 - For more information on hang@MFAH, visit the program page here. By building on our existing strengths and fully using the tools of our connected age—just as generations before us harnessed the advances of their times—we can help create the makers and life-long learners that our era demands Our learning lab is equipped with digital-media tools such as 3-D printers and iPads, as well as analog tools such as sewing machines and fabric. Working with mentor artists, teens are limited only by their own imaginations.

  7. “Soul of a Nation: Art in the Age of Black Power” to Open at MFAH with New Section on Houston Artists and Roster of Online Programs

    Jun 24, 2020 - Accompanying the Houston presentation is a series of online discussions, films, artist conversations, and other programs, most of which were originally planned as on-site events. The haunting imagery of Archibald Motley’s painting The First One Hundred Years: He Amongst You Who Is Without Sin Shall Cast the First Stone; Forgive Them Father for They Know Not What They Do (c. 1963–72) calls up a Klansman

  8. Freestyle (En roue libre)

    She retreats to the back seat and then Paul (Benjamin Voisin) steals the car without knowing Louise is inside. Stuck with each other, Louise and Paul embark on a most unusual road trip.

  9. “Shadows on the Wall: Cameraless Photography from 1851 to Today”

    Aug 12, 2014 - 30, 2014 Overview Drawn from the permanent collection of the Museum of Fine Arts, Houston, Shadows on the Wall: Cameraless Photography from 1851 to Today presents 50 evocative images created with light and chemistry but without

  10. The Hidden Secrets of Movable Books

    Mar 5, 2021 - To learn more, visit the virtual edition of Making the Movable Book. A few paper flaps from the book are used as built-in mounts to support neighboring layers, and with proper creasing of the paper, some flaps stand happily without external intervention.