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Artists in Dialogue “The Obama Portraits Tour”
Plan Your Visit This program is free, with seating on a first-come, first-served basis. The Obama Portraits Tour is included with general admission, which is free on Thursdays, when the Museum is open 11 a.m. to 9 p.m. that have structured life in the state for centuries.• Bria Lauren (Houston) uses photography and film to bridge social and political gaps within her community and to communicate the true essence of one’s identity and truth without
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Strike a Pose and Find Inspiration with #InstaTourMFAH
Apr 13, 2017 - Photo by @tmnewtn Photo by @ruthiechen Photo by @galaorwhatever Smartphones Rule Snapping pictures during their visit continues to be an important way visitors engage with art. In a survey, we learned that 96% of MFAH visitors had smartphones during their visit, and 78% of them used these devices to take photos while they were here. What Stops You in Your Tracks? Rather than focusing on art-history information or biographies of artists, our guide examines why these objects are so intriguing to photograph.
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The Museum of Fine Arts, Houston, presents “Beatriz González: A Retrospective”
Sep 14, 2019 - “Through her work González proved that art can express pain and grief without resorting to the clichés of figurative painting, creating harrowing images that remain in our consciousness long after we have seen them.” efforts to build awareness and appreciation of the diverse artistic production of Latin American and Latino artists among our audiences. The Museum is honored to present this retrospective of Beatriz González’s work, in partnership with our colleagues at the Pérez Museum.”
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Monster (Kaibutsu)
Continually left without satisfactory answers—and with an increasingly distressed child—she furiously escalates her concerns to the school board and the media.
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Questioning the Line: Gego, A Selection, 1955–90
the Line traces the evolution of the career of German-born Venezuelan artist Gego (Gertrud Goldschmidt), from a series of early drawings, prints, and sculptures of the late 1950s to her distinctive wire constructions—“drawings without
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“Bold and Brilliant: The Rise of Black American Magazines, 1930–1970” Opens at the MFAH in February 2027
Jul 31, 2026 - After identifying more than 300 magazines and 900 photographers, we narrowed our scope to those photographers working for multiple magazines. Bold and Brilliant will present more than 100 images by 50 photographers about 100 magazines, shown alongside the vintage spreads in which they originally appeared. Presenting more than 100 images by 50 photographers, this groundbreaking exhibition builds on archival recovery efforts to locate forgotten magazines and the photographs they featured HOUSTON—July 30, 2026—Between 1930 and 1970
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Freestyle (En roue libre)
She retreats to the back seat and then Paul (Benjamin Voisin) steals the car without knowing Louise is inside. Stuck with each other, Louise and Paul embark on a most unusual road trip.
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The Hidden Secrets of Movable Books
Mar 5, 2021 - To learn more, visit the virtual edition of Making the Movable Book. A few paper flaps from the book are used as built-in mounts to support neighboring layers, and with proper creasing of the paper, some flaps stand happily without external intervention.
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Slowing Down at the MFAH: Celebrate Slow Art Day!
Apr 5, 2018 - Think back to your last visit to an art museum. How did you tackle the space? Was your goal to hit every single gallery, or did you focus your visit by choosing to see just one or two exhibitions? Most people view a work of art for only 6 to 10 seconds—which is not surprising given our culture of distraction and constant visual stimuli. Slow Art Day is an opportunity to combat that fast rhythm we’ve come to associate with TV and swiping on our smartphones, allowing ourselves the time to make new discoveries.
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“Mike + Doug Starn: Big Bambú” Engulfs the Mies van der Rohe Galleries of the Museum of Fine Arts, Houston, This Summer
May 23, 2018 - Please visit www.mfah.org for details before your visit. The sculpture is built from within without scaffolding, as aloft climbers add poles to achieve the 30-foot-high wave. “While it will fill our galleries at an exhilarating scale, visitors will find that it is also an intimate work of art, one that on every level engages audiences of all ages.”