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  1. Operating on Art: Treating Walker Evans’s “Banda Headdress”

    Aug 1, 2014 - Detail of the top right corner of the photograph before and after treatment. Before the print was returned to the cool, dark storage environment at the Museum, the condition of the work was documented again with a final treatment report and after-treatment photos. Routine treatment steps included: Writing a report on the current condition of the photograph and taking digital photos to document changes during treatment Surface cleaning to reduce accumulated dirt Consolidation,

  2. Hang with “Sculpted in Steel” in an Afternoon for Teens!

    Feb 15, 2016 - Members of hang@MFAH have designed “Drivers Ed” to entice teen enthusiasts of ingenuity to visit the Museum. Learn more and register for Teen Open House: Drivers Ed, which takes place Saturday, April 16. Open to all interested teens! The core of hang@MFAH is the art that surrounds us, so the exhibition Sculpted in Steel: Art Deco Automobiles and Motorcycles, 1929–1940 has inspired us to create a youth event, dubbed “Drivers Ed.”

  3. Our Land (Nuestra tierra)

    Tickets $9 general admission; $7 MFAH members, students with ID, seniors (65+) Plan Your Visit This screening takes place in Brown Auditorium Theater in the Law Building. In Our Land, director Lucrecia Martel (The Headless Woman) explores the 2009 murder of Javier Chocobar, a member of Argentina’s Indigenous Chuschagasta community who tried to defend them from being forcibly evicted by a local

  4. An Incident in Bell Park

    Aug 29, 2013 - And for us, doing our neighborly duty brought considerable satisfaction. Just as with stains on clothing, immediate treatment is always best, and in the case of vandalism, swift removal is even more necessary to prevent attracting more vandalism.

  5. In Our Day

    One day, each receives a visit from a different young aspiring artist, who come equipped with questions about their careers and life itself.

  6. Studio & Gallery Visit | "In Living Color"

    Plan Your Visit Admission is free. No RSVP required. This event takes place on Level 3 of the Glassell School of Art. The Jubilee Quilt Circle of the Community Artists' Collective invites you to visit their studio space at the Glassell School of Art.

  7. Our Tiny Little Wedding (Notre tout petit petit mariage)

    Happy couple Lou and Max badly want to adopt a baby. They’ve created a picture-perfect profile, including lying about their income, families, and living situation. Now all that’s left is to get married—in the simplest, …

  8. David Bomford, Conservation Chair, and Zahira Véliz Bomford, Senior Paintings Conservator, to retire

    Feb 7, 2019 - During her six years at the MFAH, she was deeply involved with the technical research and treatment of the paintings of Franz Kline. Her numerous other conservation projects have included the stabilization and treatment of Anselm Kiefer’s The Sorrow of the Niebelungen (1973), and the stabilization and preservation of The Contribution of Negro Women to American With these priorities now accomplished, I am pleased that Per Knutås has agreed to succeed David in overseeing the critical mission of the care, research and scholarship of our growing collections.”

  9. Teamwork Saves a Great Work of Art for Houston’s Future

    Aug 22, 2019 - The call for help came September 6, 2017, from our trustee Sarah Trotty. Then, the Museum coordinated with our construction company, McCarthy, to patch the roof. Our conservators, led by Soni Bomford, started putting tissue facing on the fragile sections to stabilize them. LEARN MORE • “John Biggers Mural in Houston Receives Conservation Treatment” —Glasstire & Houston Public Media • “Twist of Harvey Fate Brings ‘Catalytic’ Cultural Funding to Houston” —Houston Chronicle • “Mural Conservation

  10. High and Low (Tengoku to jigoku)

    Tickets $9 general admission; $7 MFAH members, students with ID, seniors (65+) Plan Your Visit This screening takes place in Brown Auditorium Theater in the Law Building. Adapting Ed McBain’s detective novel King’s Ransom, the film moves effortlessly from compelling race-against-time thriller to exacting social commentary, creating a diabolical treatise on contemporary Japanese society.