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  1. Emilia Pérez

    Tickets $9 general admission; $7 MFAH members, students with ID, seniors (65+) Plan Your Visit This screening takes place in Brown Auditorium Theater in the Law Building. Parking Information | Museum Hours | MFAH Campus Map Underwriting for the Film Department is provided by Tenaris, The June Leaf and Robert Frank Foundation, and the Vaughn Foundation. It is shortlisted for Best International Feature Film at the Academy Awards on March 2. From renegade auteur Jacques Audiard comes Emilia Pérez, an audacious fever dream that defies genres and expectations.

  2. My Name Is Alfred Hitchcock

    "– Peter Bradshaw, The Guardian (UK) Tickets $9 general admission; $7 MFAH members, students with ID, seniors (65+) Plan Your Visit This screening takes place in Brown Auditorium Theater on the lower level of the Law Building Parking Information | Museum Hours | MFAH Campus Map Underwriting for the Film Department is provided by Tenaris, The June Leaf and Robert Frank Foundation, and the Vaughn Foundation. A must for Hitch fans! "As ever, there is real evangelism in Cousins’ work and in ‘My Name Is Alfred Hitchcock’ there is so much to learn and enjoy. You come away from it with your senses fine-tuned.

  3. Juanita

    On a trip to Santo Domingo to visit Juanita’s family for Christmas, they discover that love can be tricky. *Rachel Afi Quinn selected Juanita for its resonance with her book Being La Dominicana: Race and Identity in the Visual Culture of Santo Domingo. Signed copies are available for purchase at this event.

  4. Children’s Texas Art and Makers Festival at Bayou Bend

    Plan Your Visit Admission is free. Last entry at 4:30 p.m. January 26, 2025Bayou Bend presents an afternoon celebrating art—created by and for children—that forges connections between Texas history and American heritage. As the former estate of the Hogg family, one of the great Texan art-collecting families, Bayou Bend Collection and Gardens serves as a fitting focal point for the styles and periods of art represented on this day.

  5. Perfect Days

    Outside of his very structured everyday routine, he enjoys his passion for music, books, and taking photos of trees. Tickets | SOLD OUT $9 general admission; $7 MFAH members, students with ID, seniors (65+) Plan Your Visit This screening takes place in Brown Auditorium Theater in the Law Building.

  6. The Sealed Soil (Khake sar beh mohr)

    Community Partners: Society of Iranian-American Women for Education and the Iranian Cultural Foundation-Houston Festival Tickets $10 general admission; $8 MFAH members, students with ID, seniors (65+) Plan Your Visit This screening takes place in Brown Auditorium Theater in the Law Building.

  7. Omar and Cedric: If This Ever Gets Weird

    She was the founding Music + Cultural Tourism Officer for the Mayor’s Office of Cultural Affairs, and she is the programs director at Fresh Arts. Tickets $9 general admission; $7 MFAH members, students with ID, seniors (65+) Plan Your Visit This screening takes place in Brown Auditorium Theater in the Law Building.

  8. Texas Renaissance Festival at “Knights in Shining Armor”

    Plan Your Visit This program is included with Museum admission. It’s an afternoon of festive fun, perfect for families, history buffs, and anyone who loves a bit of royal drama. Enjoy this unique opportunity to celebrate the exhibition before it closes.

  9. Members Preview | “Floating World: A.A.Murakami”

    For the Members Previews, entry to Floating World: A.A.Murakami occurs in 15-minute increments. If a time slot sells out in advance, entry at walk-up may be possible, depending on availability. Plan Your Visit The exhibition is located on Level 1 of the Beck Building. Museum entry is available through the Beck Building and Kinder Building Parking Information | Museum Hours | MFAH Campus Map Questions?

  10. Artist Talk | Narsiso Martinez

    Plan Your Visit Admission is free. This event takes place in the Lynn Wyatt Theater in the Kinder Building. Seating is available on a first-come, first-served basis.  By using discarded produce boxes to illustrate the invisible labor necessary to provision markets around the country, Martinez questions the industry’s conspicuous use of undocumented workers for essential tasks, and the indispensable