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For America’s 250th, the Museum of Fine Arts, Houston, Highlights Collection Works That Speak to the American Experience
Jun 17, 2026 - The curators’ choices will allow our visitors to experience our collections framed within a series of illuminating and sometimes surprising narratives.” On the occasion of the nation’s 250th anniversary, we saw a singular opportunity to look at our collections and select objects that reflect the multitudes of individuals who have contributed to the identity of our nation. Comments Gary Tinterow, director and Margaret Alkek Williams chair of the MFAH, “The collections of the Museum of Fine Arts, Houston, take pride of place within our galleries, and our curators are continually engaging with and
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“Stronger than COVID-19” Empowering Houston High School Seniors to Reclaim the Narrative of Their Senior Year
Aug 21, 2020 - We have seen families draw together, and we continue to see that we shape the reality of our world by the vision we uphold for our children, our families, and our communities.
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Naked Acts
Davis sets out to examine the impact on self-image of “the dominant film portrayals of Black women in this country’s cinematic history” and “to get beyond the limitations placed on our bodies by our racialized past.”
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Journey through the Egyptian Afterlife with Matthew Barney’s “River of Fundament”
Sep 1, 2016 - His newest film, River of Fundament, deals with mythic ways of understanding our bodily functions. Our bodies are earthly vessels that transform foodstuffs into both our life force and feces. The Egyptians, without the advantage of scientific images, made stories of both our bodies and spirits, separating the organs after death to be guarded by gods on what was understood as an actual journey into other realms.
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Plan a Bergman Immersion! An Ingmar Bergman Celebration Comes to Houston
Aug 17, 2018 - Maximize Your Visit with Double Features Bergman’s filmography is so vast that both venues have double features! The month-long tribute in Houston—one of the largest in the United States this year—will undoubtedly provide memorable experiences for our audiences. Our colleagues at the Consulate General of Sweden in Houston provided the banner, which hangs on the wall outside the Brown Auditorium Theater.
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#5WomenArtists on View Now
Mar 30, 2017 - Visit buffalobayou.org to book tours. This list highlights just five women represented in the MFAH collections, but you’ll find many more as you stroll through the Museum, Bayou Bend, and Rienzi, or browse our online collection. Fernández at the Houston Cistern Photo by Peter Molick; courtesy of the artist and Sicardi Gallery Location: Houston Cistern, Buffalo Bayou Park, 105 Sabine Street Magdalena Fernández’s 2iPM009, which you may remember from our
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Happy New Year! A Look at 2018 in Numbers
Jan 1, 2019 - 2018 was one of our biggest years ever! Hit “play” below for a look back at some of the numbers that added up to a great year.
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MFAH + Houston Zoo Crossover: A Tale of Two Curators
Nov 8, 2019 - Aimée Froom: I was curious to learn more about the birds depicted in our miniature paintings. Now, we meet for lunch to stay in touch about our projects. What’s the process for identifying a bird in a painting? We both have to take into account the origins and cultural significance of our different charges. AF: We are working toward similar goals.
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The Museum of Fine Arts, Houston, Presents “Golden Worlds: The Portable Universe of Indigenous Colombia” in November
Jul 28, 2022 - Our House, Our World, Our Cosmos anchors the tradition of fine gold adornments in the Indigenous view of the cosmos and humanity’s role in preserving that cosmos. “As the custodian of the Glassell Collection, the largest and most comprehensive collection of gold of the Indigenous Americas, we welcome the opportunity to share our gold of the Americas with our sister institutions.” The book is arranged so as to envelop the works with life and meaning, and guide readers to different ways of understanding the world and our place in it.
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New Year Reflections
Dec 30, 2011 - There are also concerns posed by our regulatory obligations. Lastly, there is a desire to be both innovative and responsible in our custodianship. During the tenure of our immediate past director, Peter C. Marzio, which ran from 1982-2010, the MFAH saw unprecedented growth, in both the physical campus and in programming.