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David Bomford, Conservation Chair, and Zahira Véliz Bomford, Senior Paintings Conservator, to retire
Feb 7, 2019 - With these priorities now accomplished, I am pleased that Per Knutås has agreed to succeed David in overseeing the critical mission of the care, research and scholarship of our growing collections.” “I have been privileged to work with exceptional colleagues throughout the MFAH, and most recently in a beautiful studio in the Sarah Campbell Blaffer Conservation Center, where the full potential of our conservation department “When they joined me in Houston in 2012, our goals were to build on the strengths of the conservation department, enhance its capabilities for scientific research, and develop and build what we intended to be one of the best conservation
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Six Major American Museums Announce Continuation and Expansion of the Andrew W. Mellon Undergraduate Curatorial Fellowship Program
Nov 28, 2017 - Since the program began, the fellows at our museum have brought creativity, intelligence, and lively perspectives to our work. We’re continually impressed and inspired by the profound impact that our new and current fellows have in shaping our museum and who we aspire to be.” “We are extremely grateful to The Andrew W. “Our museum is grateful for the Mellon Foundation's extraordinary generosity in supporting the training of students from diverse backgrounds.
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Major Rothko Retrospective opens at the MFAH September 20
Jul 20, 2015 - “Presenting these works in Houston, home of the Rothko Chapel, will allow our visitors to see the full range of Rothko’s achievement in the same city as his most acclaimed and enduring public commission.” Mark Rothko: A Retrospective will be on view in Houston from September 20, 2015, to January 24, 2016, following presentations at the Gemeentemuseum in The Hague, the Netherlands; and the Hangaram Art Museum in Seoul, South Korea Schedule This exhibition debuted at the Gemeentemuseum in The Hague, the Netherlands, where it was on view from September 20, 2014, to January 18, 2015; and opened on March 13, 2015, at the Hangaram Art Museum in Seoul, South Korea
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Rear Window
Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.
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Amélie (Le fabuleux destin d’Amélie Poulain)
Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Lois Chiles; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.
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A Letter to Three Wives
Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.
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Werckmeister Harmonies (Werckmeister Harmóniák)
The MFAH film department is supported by Tenaris; The June Leaf and Robert Frank Foundation; the Vaughn Foundation; The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Franci Neely; Carrin Patman and Jim Derrick
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Tori and Lokita (Tori et Lokita)
The MFAH film department is supported by Tenaris; The June Leaf and Robert Frank Foundation; the Vaughn Foundation; The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Franci Neely; Carrin Patman and Jim Derrick
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Houston Cinema Arts Festival
., The Robert Frank Foundation, Nina and Michael Zilkha, Consulate General of the Republic of Korea in Houston, Laurence P. Unger and Ben Hobratsch, and the Vaughn Foundation.
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Museum of Fine Arts, Houston, celebrates two mavericks of the American Avant-Garde with the exhibition “Kindred Spirits: Louise Nevelson & Dorothy Hood”
Sep 17, 2018 - But a 1941 visit to Mexico introduced her to a vital community of artists and expatriates that offered greater opportunities to the young artist. “Through exhibitions and public commissions their work has shaped the history of Modernism in our city; we were able to draw on our resources, and those in Corpus Christi, to throw a fresh light on the careers of these two extraordinary Seen now in retrospect, their work enters into a powerful dialogue that enlarges our understanding of art in America.”