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Community Artists’ Collective
Jun 13, 2020 - “I hope viewers will examine this work through their own lenses and have a dialogue with me in person or through the work about the history of racist institutions and racism in our country and what we can do in our own spheres
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The Eternal Memory (La memoria infinita)
Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.
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Dalgona Coffee: MFAH Edition
Apr 20, 2020 - After the show aired, the drink went viral in South Korea, and has become a staple menu item in a number of coffee shops there.” “It first gained prominence in South Korea in January, after the actor Jung Il-woo tried it in Macau for ‘Stars’ Top Recipe at Fun-Staurant,’ a popular television show.
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The Museum of Fine Arts, Houston, presents “Beatriz González: A Retrospective”
Sep 14, 2019 - efforts to build awareness and appreciation of the diverse artistic production of Latin American and Latino artists among our audiences. The Museum is honored to present this retrospective of Beatriz González’s work, in partnership with our colleagues at the Pérez Museum.” “Through her work González proved that art can express pain and grief without resorting to the clichés of figurative painting, creating harrowing images that remain in our consciousness long after we have seen them.”
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David Bomford, Conservation Chair, and Zahira Véliz Bomford, Senior Paintings Conservator, to retire
Feb 7, 2019 - With these priorities now accomplished, I am pleased that Per Knutås has agreed to succeed David in overseeing the critical mission of the care, research and scholarship of our growing collections.” “I have been privileged to work with exceptional colleagues throughout the MFAH, and most recently in a beautiful studio in the Sarah Campbell Blaffer Conservation Center, where the full potential of our conservation department “When they joined me in Houston in 2012, our goals were to build on the strengths of the conservation department, enhance its capabilities for scientific research, and develop and build what we intended to be one of the best conservation
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I Went to the Dance (J’ai été au bal)
Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Lois Chiles; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.
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Afro-Atlantic Histories: Spotlight on Brazil
The MFAH film department is supported by Tenaris; the Vaughn Foundation; Nina and Michael Zilkha; The Consulate General of the Republic of Korea; Consulate General of Italy in Houston; Franci Neely; Italian Cultural Institute
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Six Major American Museums Announce Continuation and Expansion of the Andrew W. Mellon Undergraduate Curatorial Fellowship Program
Nov 28, 2017 - Since the program began, the fellows at our museum have brought creativity, intelligence, and lively perspectives to our work. We’re continually impressed and inspired by the profound impact that our new and current fellows have in shaping our museum and who we aspire to be.” “We are extremely grateful to The Andrew W. “Our museum is grateful for the Mellon Foundation's extraordinary generosity in supporting the training of students from diverse backgrounds.
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“Mike + Doug Starn: Big Bambú” Engulfs the Mies van der Rohe Galleries of the Museum of Fine Arts, Houston, This Summer
May 23, 2018 - Please visit www.mfah.org for details before your visit. “While it will fill our galleries at an exhilarating scale, visitors will find that it is also an intimate work of art, one that on every level engages audiences of all ages.” “Now, eight years later, I’m thrilled to work with them again as they transform the iconic interior of Mies van der Rohe’s Cullinan Hall into a fluid, pan-dimensional site, transforming our experience of entering a Museum.”
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For Slow Art Day, Cai Guo-Qiang’s “Odyssey”
Apr 1, 2020 - Saturday, April 4, is the 10th annual worldwide Slow Art Day, when all of us are encouraged to spend real time with a work of art: at least 5 to 10 minutes—more than the 30 seconds studies have shown is our average when we encounter