On Friday, September 25, the Museum closes at 6 pm and the Law Building is closed all day. 
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  1. Glassell School of Art

    The Glassell School …

  2. Parking Garage

    • Information • Map …

  3. Off-site

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  4. MFA Shop

    Find out more about the MFA Shop here. …

  5. Caroline Wiess Law Building

    The Law Building, named for MFAH patron Caroline Wiess Law, features galleries for changing exhibitions as well as for the Museum’s collections of Asian, African, Islamic, Native American, Pacific Islands and Australian, and …

  6. Audrey Jones Beck Building

    The Beck Building, named for MFAH patron Audrey Jones Beck, features galleries for changing exhibitions as well as for the Museum’s collections of ancient art, European art, photography, prints and drawings, and American art …

  7. Sarofim Campus

    The MFAH art collections and exhibitions are presented primarily at the Museum’s Susan and Fayez S. Sarofim Campus in three main gallery buildings: the Audrey Jones Beck Building, the Caroline Wiess Law Building, and the …

  8. Cookbook Sale at the MFA Shop

    Offer valid online from midnight to 11:59 pm on April 23, 2026.   Browse the collection ahead of time and bookmark this page for easy shopping Plan Your Visit No need to pay Museum admission—it’s always free to visit the MFA Shop during regular Museum hours. Enjoy 20% off the MFA Shop’s inspiring collection of cookbooks—featuring flavors and traditions from around the world—available in-store and online for one day only. Bon appétit!

  9. The Thing

    Tickets $9 general admission; $7 MFAH members, students with ID, seniors (65+) Plan Your Visit This screening takes place in Brown Auditorium Theater in the Law Building. A masterpiece of paranoid sci-fi horror, The Thing’s cultural significance lies in pioneering, groundbreaking, grotesque practical effects, subverting the heroic tropes of its predecessors.

  10. Helen Frankenthaler: The Joy of Color

    Plan Your Visit This installation is located on Level 1 of the Law Building. This special installation features Frankenthaler’s continued innovation, as she embraced an expanded vocabulary of painterly effects through the use of complementary colors.