On Friday, September 25, the Museum closes at 6 pm and the Law Building is closed all day. 
sliderarrow Close Menu share_facebook share_instagram share_x share_linkedin share_share share_tranditional share_calendar share_email icon_threads connect_facebook connect_instagram connect_x connect_youtube connect_vimeo connect_tiktok connect_linkedin btn_arrow hamburger-x

Search

Search Results

Showing results for How to buy California State University-Northridge Degree

  1. The Magnificent Cuckold (Il magnifico cornuto)

    Special thanks to our cultural partner Italian Cultural Institute in Los Angeles, Professor Alessandro Carrera from the University of Houston, and Kate MacKay, UC Berkeley Art Museum & Pacific Film Archive. Organized by Camilla Cormanni and Paolo Ruggiero, with thanks to Marco Cicala and Germana Ruscio, Cinecittà. Generous support has been provided by the Vaughn Foundation and Consulate General of Italy in Houston.

  2. Bebos Girl (La ragazza di Bube)

    Special thanks to our cultural partner Italian Cultural Institute in Los Angeles, Professor Alessandro Carrera from the University of Houston, and Kate MacKay, UC Berkeley Art Museum & Pacific Film Archive. Organized by Camilla Cormanni and Paolo Ruggiero, with thanks to Marco Cicala and Germana Ruscio, Cinecittà. Generous support has been provided by the Vaughn Foundation and Consulate General of Italy in Houston.

  3. A Closer Look at Vincent van Gogh’s 1887 “Self-Portrait”

    Jan 30, 2019 - Although Van Gogh made numerous portraits of others in the very early part of his career, he did not attempt any self-portraits before moving to Paris in 1886. state by 1949, as documented by a photograph from that year.³ See this self-portrait and many more in Vincent van Gogh: His Life in Art, on view in the Beck Building from March 10 through June 27. This effect, however, was not Van Gogh’s intention—it resulted from the fading of a purple underlayer of color: A black-and-white photograph from 1908 shows the densely painted canvas, but fading had changed the image to its present

  4. Kehinde Wiley: An Archaeology of Silence

    “This work being in Houston is an opportunity to see my paintings and sculptures in a completely new dynamic, to see it in a different part of America, and also see an amazing curatorial staff presenting it in a way that’s new In his words: “That is the archaeology I am unearthing: The specter of police violence and state control over the bodies of young Black and Brown people all over the world.”

  5. Handsome Antonio (Il bell'Antonio)

    Special thanks to our cultural partner Italian Cultural Institute in Los Angeles, Professor Alessandro Carrera from the University of Houston, and Kate MacKay, UC Berkeley Art Museum & Pacific Film Archive. Claudia Cardinale plays the unhappy wife of Marcello Mastroianni, an aristocratic Sicilian who functions with prostitutes but not with her, leading to social embarrassment for his family. Organized by Camilla Cormanni and Paolo Ruggiero, with thanks to Marco Cicala and Germana Ruscio, Cinecittà. Generous support has been provided by the Vaughn Foundation and Consulate General of Italy in Houston.

  6. The World in Between: Ancient Roots of Día de los Muertos

    In this lecture, Javier Urcid of Brandeis University explores the rituals and the many meanings of a tradition in which the veil separating worlds is thin, when perhaps it is possible to symbolically commune with loved ones on Javier Urcid, the Jane’s Chair Professor of Latin American Studies at Brandeis University in Massachusetts, teaches archaeology, material culture, and Mesoamerican civilizations.

  7. Members Curatorial Lecture | “Meiji Modern: Fifty Years of New Japan”

    Carpenter Foundation and The Mary Griggs Burke Center for Japanese Art, Columbia University. World of Meiji Japan”Bradley Bailey, the Ting Tsung and Wei Fong Chao Curator of Asian Art at the MFAH, speaks with Chelsea Foxwell, associate professor of art history and director of the Center for East Asian Studies at the University Call the members hotline at 713.639.7550, Monday–Saturday, 10 a.m. to 5 p.m. or email [email protected] at any time. If you are not yet an MFAH member, join now to get free tickets along with other great benefits!

  8. Celebrating Community: Women’s Empowerment Group Visits the MFAH

    May 13, 2020 - While viewing Susan Comforting the Baby, they learned how Cassatt fought gender inequality to pursue painting professionally in a male-dominated society. It’s astounding how much art is in one place and just how big it is!” Mary Cassatt, Susan Comforting the Baby Aiding refugee women and their transition to the United States, the Women’s Empowerment Group of Interfaith Ministries (IM) is designed to prevent isolation, build community, and equip women with information and skills to thrive

  9. Christine Gervais Appointed Director of Rienzi, the MFAH Center for European Decorative Arts

    Sep 21, 2016 - She received her B.A. in History from Trinity University, San Antonio, in 1994, her M.A. in American Studies from The George Washington University, in 1998, and her M.Phil. with distinction in the History of Art from the University Rienzi has a lot to give to this city. We will continue to make what seems like a distant past relevant and meaningful.” Gervais has most recently served as associate curator of Rienzi beginning in 2011. “Becoming director is the culmination of over a decade of curating exhibitions, creating programs, and seeking new ways to present educational opportunities about European decorative arts to Houstonians.

  10. Virtual Series | Fascinating Finds

    Free | Live via Zoom REGISTER NOW Monday, February 2 The War Through PrintsSpeakers: Bradley Brooks, Curator, Bayou Bend Wendy Bellion, professor, University of Delaware Katie McKinney, Margaret Beck Pritchard Curator of Maps & Prints, Colonial Williamsburg Foundation Monday, February 9 Benjamin Franklin’s Treaty with FranceSpeakers: Lauren Lovings-Gomez, Ph.D candidate, Rice University Debbie Miller, Archeologist and Curator, Independence National