On Friday, September 25, the Museum closes at 6 pm and the Law Building is closed all day. 
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  1. Glassell School of Art

    The school offers art education programs for children, teens, and adults, coauthors civic engagement opportunities, and maintains the international Core Residency Program.

  2. Parking Garage

    • Information • Map …

  3. Off-site

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  4. MFA Shop

    Find out more about the MFA Shop here. …

  5. Caroline Wiess Law Building

    The Law Building, named for MFAH patron Caroline Wiess Law, features galleries for changing exhibitions as well as for the Museum’s collections of Asian, African, Islamic, Native American, Pacific Islands and Australian, and Pre-Columbian

  6. Audrey Jones Beck Building

    The Beck Building, named for MFAH patron Audrey Jones Beck, features galleries for changing exhibitions as well as for the Museum’s collections of ancient art, European art, photography, prints and drawings, and American art to

  7. Sarofim Campus

    The MFAH art collections and exhibitions are presented primarily at the Museum’s Susan and Fayez S. Sarofim Campus in three main gallery buildings: the Audrey Jones Beck Building, the Caroline Wiess Law Building, and the …

  8. Les compères

    When a mother is dissatisfied with the police not searching for her runaway son, she contacts two former lovers (Pierre Richard and Gérard Depardieu), convincing them to help find her boy by claiming that one of the men is her Tickets $10 festival admission; $8 MFAH members, students with ID, seniors (65+) Plan Your Visit This screening takes place in the Brown Auditorium Theater in the Law Building.

  9. Coward

    While the violence continues, both men try to find ways to escape the brutality of war, even if only for a moment. Get Tickets on the Houston Cinema Arts Festival Website Plan Your Visit This screening takes place in Lynn Wyatt Theater in the Kinder Building. Parking Information | Museum Hours | MFAH Campus Map

  10. Southern Exposures: The Photography of Sally Mann

    Feb 14, 2019 - Through a Southern Lens For more than four decades, Mann has chosen the South—its exquisite landscape, antebellum relics, and fraught history—as a subject or setting through which to explore memory and mortality; the lasting The exhibition traces her artistic development and wide-ranging subjects, from the highly personal images that she made of her children beginning in the 1980s to her recent monumental photographs of African American men, and from In that sense, Southern artists are like certain of our mountain religious folk, who, in their devotions, subject themselves to snake bites that would kill or disable anyone else.