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  1. Nancy and Rich Kinder Building

    The Kinder Building, named for MFAH patrons Nancy and Rich Kinder, is devoted to the display of the Museum’s international collections of modern and contemporary art.

  2. Glassell School of Art

    The school offers art education programs for children, teens, and adults, coauthors civic engagement opportunities, and maintains the international Core Residency Program.

  3. Parking Garage

    • Information • Map …

  4. Off-site

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  5. MFA Shop

    Find out more about the MFA Shop here. …

  6. Caroline Wiess Law Building

    The Law Building, named for MFAH patron Caroline Wiess Law, features galleries for changing exhibitions as well as for the Museum’s collections of Asian, African, Islamic, Native American, Pacific Islands and Australian, and Pre-Columbian

  7. Audrey Jones Beck Building

    The Beck Building, named for MFAH patron Audrey Jones Beck, features galleries for changing exhibitions as well as for the Museum’s collections of ancient art, European art, photography, prints and drawings, and American art to

  8. Sarofim Campus

    The MFAH art collections and exhibitions are presented primarily at the Museum’s Susan and Fayez S. Sarofim Campus in three main gallery buildings: the Audrey Jones Beck Building, the Caroline Wiess Law Building, and the …

  9. Hitchcock Silents

    Bruce Goldstein of the Film Forum hired a group of actors and a sound effects expert and the soundtrack was recreated live at the Egyptian Theatre in Hollywood for the Turner Classic Movie Film Festival in April of 2013. He also began experimenting with visual effects and sly devices such as his own cameo appearances in his films. Most recently, Sterner has written music for The Donovan Affair, a 1929 film that was Frank Capra's first all-talking film. The sound discs have been missing for over 60 years.

  10. Helen Frankenthaler: The Joy of Color

    Plan Your Visit This installation is located on Level 1 of the Law Building. This special installation features Frankenthaler’s continued innovation, as she embraced an expanded vocabulary of painterly effects through the use of complementary colors.