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Dawoud Bey: An American Project
Widely criticized for its failure to include significant numbers of artworks by African Americans, the exhibition nonetheless made an impression on Bey and inspired him to take up his own documentary project about Harlem, in 1975
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Icons of Style: A Century of Fashion Photography
Generous funding for this exhibition is provided by: River Oaks District Luther King Capital Management Dior
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Joris Laarman Lab: Design in the Digital Age
Generous support for this exhibition is provided by: Luther King Capital Management Creative Industries Fund NL The Omena Fund Leslie and Brad Bucher Kim and Al Eiber Anne Lamkin Kinder Sara and Bill Morgan Judy and Scott
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Pleasure and Piety: The Art of Joachim Wtewael (1566–1638)
In-Gallery Extra: Audio Tour Enhance your exhibition experience with the optional audio tour, available for rental.
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Habsburg Splendor: Masterpieces from Vienna’s Imperial Collections
Lead foundation underwriting is provided by: The Hamill Foundation Kinder Foundation Additional generous funding is provided by: Carol and Michael Linn National Endowment for the Arts Vivian L.
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Ima Hogg: “Like a Rock Star”
Apr 19, 2016 - She encouraged me to use her as a reference when I applied for a job in HISD. Since one of your grandmother’s jobs was to cook, do you have any food-related memories? Many! Ima Hogg and Harris Masterson step out at Bayou Bend for the dedication-day ceremony on March 5, 1966. Did she interact with you as a child, and then as you grew up? Oh yes, she was always very kind.
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Harry Bertoia: The Miracle of Sound
Jun 18, 2019 - “The sound echoed in my mind for a very long time. Then it initiated a deliberate gesture in search of understanding what a group of wires would do—and the process is still going on.”
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Lecture | “Alberto Giacometti: Pursuing Art through Four Decades”
She has curated a revisionist retrospective (1988–89) and written essays for Giacometti publications in Edinburgh, London, Madrid, Paris, and Vienna. Plan Your VisitThis program takes place in Brown Auditorium Theater.
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Afro-Atlantic Art and Architecture from Slavery to the Present
Related ExhibitionsThe conference coincides with Afro-Atlantic Histories at the MFAH and Kapwani Kiwanga: The Sand Recalls the Moon’s Shadow at Rice University’s Moody Center for the Arts.
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William Forsythe: Choreographic Objects
Generous support for this exhibition in Houston is provided by: Gagosian Nina and Michael Zilkha Bettie Cartwright Wendy and Mavis Kelsey, Jr. Nena and David Marsh Shirley E. Rose