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Between Play and Grief: Selections from the Latino American Collection
conference organized by the Inter-University Program for Latino Research at the University of Houston, with presentations at more than 30 venues the first week of April.
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Two Centuries of American Still-Life Painting: The Frank and Michelle Hevrdejs Collection
These masterpieces show why still-life painting has captivated American artists, collectors, and audiences for two centuries.
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A Photographer’s Collection: Gifts from Michael and Michele Marvins
These insights have guided his collecting choices for three decades.
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Jennifer Steinkamp: Mike Kelley Projections
For one week in October, the Museum's Cullinan Hall once again becomes an art experience.
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Jennifer Steinkamp
tribute to Mike Kelley, among Steinkamp’s foremost mentors during her studies at the Art Center College of Design in California—although Kelley’s consciously critical art practice bears little similarity to Steinkamp’s inclination for
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Charulata (The Lonely Wife)
Satyajit Ray based this exquisite chamber drama, his favorite of his own films, on Nastanirh (The Broken Nest) by Rabindranath Tagore, whose writings were a frequent source of inspiration for the director.
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The Cool World
Unavailable on any video format or streaming platform, The Cool World is presented at the MFAH in a 35mm restoration for this special 60th anniversary screening. Preceded ByDaybreak Express Directed by D. A.
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“2023 Core Exhibition” Performance by Saúl Hernández-Vargas
Learn More About the Core Residency ProgramEstablished in 1982, the Glassell School of Art’s Core Residency Program offers postgraduate residencies for art critics and visual artists.
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Three Colors: Red (Trois couleurs: Rouge)
Accessibility The MFAH strives to provide a welcoming and accessible experience for all guests by offering a range of accommodations—learn more here.
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Three Colors: Blue (Trois couleurs: Bleu)
Accessibility The MFAH strives to provide a welcoming and accessible experience for all guests by offering a range of accommodations—learn more here.