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Michelangelo and the Vatican: Masterworks from the Museo e Real Bosco di Capodimonte, Naples
Remembered for his enthusiastic patronage of the arts in general, and of Michelangelo (1475–1564) in particular, Pope Paul III oversaw the completion of Michelangelo’s stupendous fresco The Last Judgment on the altar wall of the Free Adult (19+) $23 Senior (65+ with ID), Military (with ID), College Student (19+ with ID), Youth (13–18) $18 Child (12 & younger) Free Make It a Combo for
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Picasso Black and White
For information, contact the MFAH Shop at 713.639.7360 or the Museum's Hirsch Library at 713.639.7325. This exhibition has been organized by the Solomon R. Long Endowment for Exhibitions The Brown Foundation, Inc. Fulbright & Jaworski L.L.P. The Vivian L. Smith Foundation Barbara and Michael Gamson Mr. and Mrs. Rodney Margolis Mr. and Mrs. Harry M.
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2012 Core Exhibition
As a forum for emergent artists and critics to discuss and develop their work, the Core Program strengthens the Houston arts scene. This year's exhibition is strong in photography, décollage, and video. The Core Program at the Glassell School of Art receives generous funding from: The Joseph and Sylvia Slifka Foundation Andy Warhol Foundation The National Endowment for the Arts The following donors have underwritten
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Musiqa Mixer | “None Whatsoever: Zen Paintings from the Gitter-Yelen Collection”
The program features an evening of music for percussion by Daiki Kato, Alexandre Lunsqui, Steve Reich, and Juri See. Performers include Aaron Guillory, Bobby McCullagh, and Terry McKinney. Endowment funds are provided by the Louise Jarrett Moran Bequest; Caroline Wiess Law; Windgate Foundation; the William Randolph Hearst Foundation; Cyvia and Melvyn Wolff; the National Endowment for the Humanities; the Fondren
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“HOME—So Different, So Appealing” Travels to the Museum of Fine Arts, Houston, in November
Oct 30, 2017 - For this work, Argote removed the multi-room carpet from her childhood home and reinstalled it in a gallery setting. Michael Treviño Additional generous support is provided by the Latin Maecenas, the patron group for the Latin American art department at the MFAH. “Home—signaling a dwelling, residence, or place of origin—embodies one of the most basic concepts for understanding an individual or group within a larger physical and social environment.
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Selected Prints by Robert Rauschenberg from the MFAH Collection
The installation is presented in conjunction with the lecture Ready for Liftoff: Robert Rauschenberg’s “Stoned Moon Series.”
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The Crime Is Mine (Mon crime)
After a struggling actress stands trial for the murder of a lascivious producer in 1930s Paris, she ascends to scandalous stardom. A new life of fame, wealth, and tabloid celebrity awaits—until the truth comes out.
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Mr. Putifar’s Wacky Plan (Les Vengeances de Maître Poutifard)
The location for this screening has changed to the Lynn Wyatt Theater in the Kinder Building. As a middle-school teacher, Robert Putifar was teased by students during his entire career.
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Two Films by Robert Frank
Restoration by the Museum of Modern Art with support from the Celeste Bartos Fund for Film Preservation. “Robert Frank and Todd Webb: Across America, 1955” is organized by the Museum of Fine Arts, Houston.
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“Beauty Everywhere” in Vincent van Gogh’s Paintings of Flowers
Feb 27, 2019 - —Vincent van Gogh Vincent van Gogh sought solace in the natural world, to which he returned time and again for artistic inspiration. Cobalt Blue For the background of Vase with Gladioli and Chinese Asters, Van Gogh used his favorite cobalt blue. In comparison, the brushstrokes give the impression of a monochrome, flecked wallpaper. canvas, Kröller-Müller Museum, Otterlo. © Kröller-Müller Museum Blues & Oranges & White-Hot In 1888, Van Gogh traveled south by coach from Arles to Saintes-Maries-de-la-Mer, a seaside town on the Mediterranean, and stayed for