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Cuban Photography after 1980: Selections from the Museum’s Collection
For many Cubans, however, the utopian aspirations promoted by Castro since the 1950s wavered earlier.
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Vignettes: Masterworks on Paper 1520 to 1870
The origin of the word vignette (French for “little vine”) stems from drawings of thin, intricate vines used as decorative borders printed on page separators in books.
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Desperate Souls, Dark City and the Legend of “Midnight Cowboy”
Featuring memorable performances by Jon Voight and Dustin Hoffman, its vivid and realistic depiction of New York City paved the way for a generation’s worth of gritty movies with complex characters and adult themes.
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Dancing the Twist in Bamako
Samba, a young socialist, falls for spirited Lara during one of his missions to the bush. To escape her forced marriage, Lara secretly flees with Samba to the city.
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“Mark Rothko” | Book Launch
Accessibility The MFAH strives to provide a welcoming and accessible experience for all guests by offering a range of accommodations—learn more here.
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Colors of the Season: The Turbans of “Peacock in the Desert”
Aug 1, 2018 - For example, yellow is the color of spring and happiness. Leheriya, the wave pattern on the unfurled turban cloths that hang vertically behind the turbans, represents rain and is worn in the rainy season.
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Knock Knock, It’s Mom! (Un tour chez ma fille)
Éric Lavaine(France, 2020, digital, in French with English subtitles) While her apartment is being renovated, Jacqueline (Josiane Balasko) goes to stay with her daughter (Mathilde Seigner) and son-in-law (Jérôme Commandeur) for
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Aloners
Hong Seong-eun’s debut feature, Aloners has earned critical praise and acting awards for Gong Seung-Yeon. Visiting Guidelines Masks are required to be worn during films and programs inside Museum auditoriums.
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Ádám Magyar “Stainless”
In Ádám Magyar’s hypnotic video Stainless, time appears to have stopped for everyone but the viewer, who travels down the subway platform of Alexanderplatz station in Berlin.
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Olafur Eliasson: The collectivity project
The Houston presentation coincides with the October groundbreaking for the Museum's Fayez S. Sarofim Campus and new Glassell School of Art.