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A Collector of People and Places
Jun 4, 2012 - More than 50 years after Abrams purchased his first drawing, it’s clear to see he doesn’t regret it for a minute. For Abrams, one of the great things about drawings is that they are often more spontaneous than paintings and reflect the thinking of the artist at a particular moment or time.
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Virtual Cinema | A Tantalizing Documentary on Artist & Mathematician M.C. Escher
Jan 17, 2021 - SEE THE TRAILER Underwriting for the Film Department is provided by Tenaris and the Vaughn Foundation. is provided by Nina and Michael Zilkha; The Consulate General of the Republic of Korea; Franci Neely; Carrin Patman and Jim Derrick; Lois Chiles Foundation; ILEX Foundation; L’Alliance Française de Houston; and The Foundation for
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Virtual Realities: The Art of M.C. Escher from the Michael S. Sachs Collection
Escher was heralded in the psychedelic era of the 1960s and 1970s and is treasured today for his mind-bending works. Escher, was born in the Netherlands and is known internationally for his self-described “mental images,” which connect to mathematics and various branches of science.
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Colors of the Season: The Turbans of “Peacock in the Desert”
Aug 1, 2018 - For example, yellow is the color of spring and happiness. Leheriya, the wave pattern on the unfurled turban cloths that hang vertically behind the turbans, represents rain and is worn in the rainy season.
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Antiques Symposium Workshop | “Insiders Tour: Bayou Bend and the MFAH”
Warren Symposium Endowment; Humanities Texas, the state affiliate of the National Endowment for the Humanities; Marilyn G. Lummis; and The Summerlee Foundation.
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Marcel Pagnol’s Marseille Trilogy
Over the years, their romance plays out amidst provincial characters like Marius’s father, César (Raimu), who struggles to keep the family and community together; and Honoré Panisse (Fernand Charpin), the aged widower vying for
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History Book Club
Education programs at Rienzi receive generous funding from the Sterling-Turner Foundation; Alkek and Williams Foundation; Carroll Sterling and Harris Masterson III Endowment; and the Caroline Wiess Law Endowment for Rienzi.
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Olafur Eliasson: The collectivity project
The Houston presentation coincides with the October groundbreaking for the Museum's Fayez S. Sarofim Campus and new Glassell School of Art.
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Defining the Body: Contemporary Figuration on Paper
When artists need subjects for drawing the human form—nude or clothed, the entire body or certain parts—they look to their family members, friends, and self, as well as to models.
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Europe 1900–1975: Selections from the Museum’s Collection
Also on view for the first time in these galleries are major works by Anthony Caro and Judit Reigl that are new to Houston audiences. The Museum of Fine Arts, Houston, receives generous support from Mr. William J.