On Friday, September 25, the Museum closes at 6 pm and the Law Building is closed all day. 
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  1. Lecture | Curator Malcolm Daniel Discusses Photographer Julia Margaret Cameron

    He also highlights the MFAH acquisition of an album Cameron created in 1869 as a heartfelt thank-you to her daughter and son-in-law, who gifted the photographer her first camera in 1863. Cameron’s unorthodox technique, spiritual sensibility, and Pre-Raphaelite-inspired aesthetic brought to life vivid images of Victorian England’s leading artists, writers, scientists, and thinkers.

  2. Intimacy and Mortality in the Photobook: A Conversation with Elinor Carucci

    Parking Information | Museum Hours | MFAH Campus Map On Thursday, admission to the MFAH Permanent Collections is free, courtesy of Shell USA, Inc.  In her work, Carucci explores issues related to intimacy and mortality, largely by examining her own life and that of her immediate family. She has published four monographs: Closer, Diary of a Dancer, Midlife, and Mother.

  3. Opening Day Lecture | New Beginnings “Robert Frank and Todd Webb: Across America, 1955”

    On Sundays, the Museum is open from 12:30 p.m. to 6 p.m. Learning and Interpretation programs receive generous funding from the Institute of Museum and Library Services; Samuel H. Hear stories ranging from an unexpected gallery encounter to collaborative working relationships and beyond. About the SpeakersBetsy Evans Hunt is the executive director of the Todd Webb Archive in Portland, Maine.

  4. New Angles on Picasso’s “Les Demoiselles d’Avignon”

    Core Program lectures are open to the public, and admission is free. This event takes place in Favrot Auditorium at the Glassell School of Art. Seating is available on a first-come, first-served basis. Visiting Guidelines A risk of exposure to COVID-19 exists in any public setting. In the interest of your personal safety and community health, please observe all precautions set forth by the MFAH—learn more here. Questions?

  5. Drive My Car

    A risk of exposure to COVID-19 exists in any public setting. In the interest of your personal safety and community health, please observe all precautions set forth by the MFAH—learn more here. Drive My Car made history as the first Japanese film ever to receive an Academy Award nomination for Best Picture. It is also nominated for Best Director, Best Adapted Screenplay, and Best International Feature.

  6. Grounded in Clay: The Spirit of Pueblo Pottery

    “Enchanting . . . each pot has a story to tell.” Although Pueblo pottery has long been exhibited within the context of Eurocentric time lines and Western concepts of art and history, Grounded in Clay gives voice to the Pueblo Pottery Collective, a group of more than 60 individual

  7. Three Centuries of American Art – Antiquities, European and American Masterpieces from The Fayez S. Sarofim Collection

    But it is his devotion to 19th- and 20th-century painting that is at the center of his collection and this exhibition. To listen in the galleries, please bring your mobile device and headphones.Best experienced on the latest versions of Chrome, Firefox, Microsoft Edge, and Safari. PublicationThe illustrated exhibition catalogue is available

  8. Ancient Luxury and the Roman Silver Treasure from Berthouville

    The MFAH is the final U.S. stop for these significant treasures before they return to France in 2017. In Houston, this exhibition is dedicated to the memory of Isabel Brown Wilson with generous support provided by: Kinder Foundation The Brown Foundation, Inc. Nina and Michael Zilkha  Wallace S. Wilson

  9. Cosmic Dialogues: Selections from the Latin American Collection

    Cosmic Dialogues: Selections from the Latin American Collection allows visitors to engage with Latin American artistic innovators in new and exciting ways. At a time when few paid attention to the physical depletion of the planet, The Hydrospatial City—begun in 1946 and completed in 1972—was both a sounding alarm and a poetic manifesto for survival in space.

  10. Unfolding Worlds: Japanese Screens and Contemporary Ceramics from the Gitter-Yelen Collection

    Monumental screens by artists from the Zenga, Rinpa, Maruyama-Shijō, and Ukiyo-e schools demonstrate the important role of individuals in the transition from the classical to the modern period in Japanese painting. showcases more than 25 large-scale painted screens from leading artists active in Japan between the 17th and 20th centuries, exhibited with some 35 ceramic works created by master and emerging ceramists in Japan from the 1950s to