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  1. Cosmic Dialogues: Selections from the Latin American Collection

    In the 1960s and 1970s, she developed a structural method for drawing in space with a series of flexible, hanging net sculptures made of stainless-steel wire. At a time when few paid attention to the physical depletion of the planet, The Hydrospatial City—begun in 1946 and completed in 1972—was both a sounding alarm and a poetic manifesto for survival in space.

  2. Antonio Berni: Juanito and Ramona

    Adler Sutherland Asbill & Brennan LLP The catalogue for this exhibition receives funding from Furthermore: a program of the J. M. Kaplan Fund. But in the mid-1950s, motivated by the social distress and poverty he witnessed in Argentina amid social unrest and the country’s industrialization, Berni abandoned painting for assemblage.

  3. Map of the Ten Thousand Countries of the Earth

    This exhibition is made possible by the James Ford Bell Trust for the Benefit of the James Ford Bell Library. This extraordinary map, installed in the Ting Tsung and Wei Fong Chao Arts of China Gallery, is on loan to the MFAH from the James Ford Bell Trust for the benefit of the James Ford Bell Library.

  4. Intimate Settings and Public Spaces: Impressionist and Post-Impressionist Drawings and Prints

    While they looked at their changing world, the Impressionists also turned inward for inspiration, utilizing friends and family as models set within their immediate surroundings. The Post-Impressionist artists, working mainly from the 1880s onward, continued to draw from the same subject matter as the Impressionists but developed different precepts for the use of color, pattern, form, and line.

  5. Core Program Lecture | Harold Mendez

    Call 713.639.7500 About the Core Residency ProgramEstablished in 1982, the Glassell School of Art’s Core Residency Program offers postgraduate residencies for art critics and visual artists. His work has been featured in solo exhibitions at the Institute of Contemporary Art in Los Angeles, Institute of Contemporary Art in Miami, and Wexner Center for the Arts at Ohio State University, among other institutions.

  6. Lecture | “Giacometti and Sculptural Practice, Then and Now: Joseph Havel in Conversation with Curator Ann Dumas”

    About the SpeakersJoseph Havel is a postmodernist American sculptor who served as director of the MFAH Glassell School of Art for three decades. Combining all media—sculptures, paintings, drawings, and photographs—the exhibition examines a central aspect of Giacometti’s oeuvre: his extraordinary, singular concern for the human figure.

  7. Father’s Day at Bayou Bend

    Highlights Free admission for fathers Light refreshments Live music from a musical duo led by Gary Weldon Self-guided tour in the house focusing on the role of parents in early America More Information About Bayou Bend Contact

  8. “Kehinde Wiley: An Archaeology of Silence” Tours to the MFAH in November

    Sep 7, 2023 - Presidential portrait for the Smithsonian National Portrait Gallery. Former President Barack Obama selected Wiley for this honor. About Kehinde WileyKehinde Wiley (born 1977, Los Angeles) is an American artist best known for his portraits that render people of color in the traditional settings of Old Master paintings. For Wiley, Holbein’s painting triggered an ongoing investigation into the iconography of death and sacrifice in Western art, which he traced across religious, mythological, and historical subjects.

  9. “Stay the Course”: An Interview with Artist Joyce J. Scott

    Jan 16, 2019 - I am 70 years old and I have always been looking for challenges and to defy myself. No matter what life gives you, stay the course. I’m sharing my love for ancient techniques—specifically African and indigenous techniques that are a part of who I am as well as a part of my culture. Do you have any advice for younger artists? JS: It’s a different world now than when I started working. We have new technology, the competition is dense, and we’re working with a globally connected population.

  10. Dangerous Curves: A “Sculpted in Steel” Chat with Ken Gross

    Mar 30, 2016 - The formula for sensuality included a long hood, a small cabin (just two seats), a rakish tail, and lots of curves. Just look at a Delahaye 135MS for proof. In the 1920s and 1930s, stars’ agents, and public relations people for film studios, sought to portray their clients in every luxurious setting.