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  1. The Evolving Lives of Objects

    For example, in The Obama Portraits Tour, the stylistic conventions of artists Amy Sherald and Kehinde Wiley break with those of traditional presidential portraiture. Johnson, the Linda Eaton Associate Curator of Textiles at Winterthur Museum, Garden & LibraryQuilts are admired today as much for their bold designs as their ability to record history.

  2. Core Program Lecture Series | Naeem Mohaiemen

    About the Core Residency ProgramEstablished in 1982, the Glassell School of Art’s Core Residency Program offers postgraduate residencies for art critics and visual artists. He has been a finalist for the Vilém Flusser Theory Award and the Turner Prize. Historian Vijay Prashad describes Mohaiemen’s work as having “the air of being unfinished because the history he is working on is unfinished.”

  3. Members Preview “Shahzia Sikander: Extraordinary Realities”

    Ticket availability cannot be guaranteed for drop-in visits. Safety Guidelines A risk of exposure to COVID-19 exists in any public setting. Curatorial Lecture in Brown Auditorium TheaterWhen you attend the preview, drop by for a prerecorded presentation by curator Jan Howard of the Rhode Island School of Design Museum.

  4. Members Exclusive Access to “Calder-Picasso”

    Alexander Calder and Pablo Picasso—two of the foremost figures in 20th-century art—come together for a fascinating encounter in this presentation. Ticket availability cannot be guaranteed for drop-in visits. Safety Guidelines A risk of exposure to COVID-19 exists in any public setting, and masks are required indoors.

  5. Drive My Car

    Drive My Car made history as the first Japanese film ever to receive an Academy Award nomination for Best Picture. It is also nominated for Best Director, Best Adapted Screenplay, and Best International Feature.

  6. Father’s Day at Bayou Bend

    Highlights Free admission for fathers Light refreshments Live music from a musical duo led by Gary Weldon Self-guided tour in the house focusing on the role of parents in early America More Information About Bayou Bend Contact

  7. “Kehinde Wiley: An Archaeology of Silence” Tours to the MFAH in November

    Sep 7, 2023 - Presidential portrait for the Smithsonian National Portrait Gallery. Former President Barack Obama selected Wiley for this honor. About Kehinde WileyKehinde Wiley (born 1977, Los Angeles) is an American artist best known for his portraits that render people of color in the traditional settings of Old Master paintings. For Wiley, Holbein’s painting triggered an ongoing investigation into the iconography of death and sacrifice in Western art, which he traced across religious, mythological, and historical subjects.

  8. “Stay the Course”: An Interview with Artist Joyce J. Scott

    Jan 16, 2019 - I am 70 years old and I have always been looking for challenges and to defy myself. No matter what life gives you, stay the course. I’m sharing my love for ancient techniques—specifically African and indigenous techniques that are a part of who I am as well as a part of my culture. Do you have any advice for younger artists? JS: It’s a different world now than when I started working. We have new technology, the competition is dense, and we’re working with a globally connected population.

  9. Dangerous Curves: A “Sculpted in Steel” Chat with Ken Gross

    Mar 30, 2016 - The formula for sensuality included a long hood, a small cabin (just two seats), a rakish tail, and lots of curves. Just look at a Delahaye 135MS for proof. In the 1920s and 1930s, stars’ agents, and public relations people for film studios, sought to portray their clients in every luxurious setting.

  10. Walk Away Renee

    Oct 31, 2012 - Click here for the trailer, tickets, and more info. This was way back when their films existed only on bootleg VHS or Betamax tapes, and these kinds of films inevitably replaced my love for horror films. I would entertain myself for HOURS. All of this was, of course, pre-VCR (at least in my family), and it must have seemed as if I was on the autism spectrum.