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Intimate Settings and Public Spaces: Impressionist and Post-Impressionist Drawings and Prints
While they looked at their changing world, the Impressionists also turned inward for inspiration, utilizing friends and family as models set within their immediate surroundings. The Post-Impressionist artists, working mainly from the 1880s onward, continued to draw from the same subject matter as the Impressionists but developed different precepts for the use of color, pattern, form, and line.
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Orca
Community partners: Society of Iranian-American Women for Education and the Iranian Cultural Foundation-Houston
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Mother’s Day Weekend at Bayou Bend
Complimentary cookies, lemonade, and water are available for everyone. Live musical performances enhance the day. Questions?
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Discovering the Turkish Lute with Artist Dario Robleto
May 19, 2020 - Tune in as Robleto discusses the craftsmanship of this Ottoman Turkish Lute with two experts in their fields: Aimée Froom, the Museum’s curator for art of the Islamic worlds; and Mehmet Ali Sanlikol, a professor at the New England
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Understanding Francis Bacon
Mar 25, 2020 - Find out more about “Francis Bacon: Late Paintings” Hear from curator Alison de Lima Greene in this video of the opening-day lecture for the exhibition:
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Houston Stories: HERE
Gathering filmmakers whose works reflect a search for balance and belonging, the program explores the diverse neighborhoods, cultural landscapes, and identities that shape the city.
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Puan
However, the long-awaited moment of triumph is upended when the charming and renowned Professor Rafael Sujarchuk (Leonardo Sbaraglia) makes a dramatic return from Europe, intent on seizing the throne for himself.
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The Practice (La práctica)
The Practice concerns an Argentine yoga instructor living in Chile who must deal with increasingly absurd situations—including a persistent knee injury, the search for a new home, a meddling mother, and a flirtatious student—in
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Five Funny French Films
Get ready for the latest round of hijinks, hilarity, and memorable characters.
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“Stay the Course”: An Interview with Artist Joyce J. Scott
Jan 16, 2019 - I am 70 years old and I have always been looking for challenges and to defy myself. No matter what life gives you, stay the course. I’m sharing my love for ancient techniques—specifically African and indigenous techniques that are a part of who I am as well as a part of my culture. Do you have any advice for younger artists? JS: It’s a different world now than when I started working. We have new technology, the competition is dense, and we’re working with a globally connected population.