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  1. Pandora’s Box

    Underwriting for the Film Department is provided by Tenaris, The June Leaf and Robert Frank Foundation, and the Vaughn Foundation. Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Lois Chiles; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.

  2. Up

    Underwriting for the Film Department is provided by Tenaris, The June Leaf and Robert Frank Foundation, and the Vaughn Foundation. Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Lois Chiles; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.

  3. Public Dress

    Jun 19, 2012 - The photographs of Ishimoto Yasuhiro and Zig Jackson emphasize a decisive moment for both the photographer and the subject, whether in making a picture or selecting what to wear. The photographs by Will van Overbeek, Janice Rubin and Carl Clark explore how people groom themselves for a special occasion. Media Contact MFAH Communications: 713.639.7554

  4. Black Art Experiences

    Support for the national exhibition tour is provided by generous grants from the Henry Luce Foundation and the National Endowment for the Arts.Generous support is provided by:Bettie CartwrightTexas CapitalJereann and Holland ChaneyJBD

  5. Yilmaz Güney: Turkish Legend

    While pursuing degrees in law and economics, Güney made a name for himself as a talented writer of fiction whose political outspokenness landed him briefly in prison. Imprisoned for the murder of a right-wing judge—the facts of which remain obscure and controversial—Güney completed three scripts which resulted in 1978’s The Herd and 1982’s Yol (Palme d’Or winner at the Cannes International

  6. Tackling Taiwan: The Films of Hou Hsiao-hsien

    Feb 24, 2015 - In Europe, however, Hou has been a festival favorite for decades, winning the first-ever Golden Lion for a Chinese-language film (City of Sadness) at the 1989 Venice Film Festival and a Jury Prize at Cannes in 1994 for The Puppetmaster

  7. Mirror, Mirror

    Aug 20, 2012 - What does it take for you to dress your best? What makes you reach into the back of your closet for those epic combat boots or your favorite pair of neon leggings? Were they an uncommon sight at the 1972 Houston Rodeo or the real life basis for the costumes in Urban Cowboy?

  8. Recognizing a Day of Jubilee: “Juneteenth Independence Day”

    Jun 18, 2020 - President Lincoln had signed the Emancipation Proclamation freeing slaves in January 1863, but it took two years for word to reach Galveston. The holiday serves as an opportunity to commemorate the abolition of slavery, listen to Black voices, highlight the continued struggle for social justice, and acknowledge that Black lives matter. Moved by the picture and the story behind it, Roach pledged funding and asked that the photograph not disappear into the storage vault, but instead be exhibited, reproduced, used for teaching, and built around.

  9. Core Program Lecture Series | Elizabeth Povinelli

    This event was originally scheduled for an earlier date. • See the 2021–2022 Lecture Schedule Core Program lectures are open to the public, and admission is free. About the Core Residency ProgramEstablished in 1982, the Glassell School of Art’s Core Residency Program offers postgraduate residencies for art critics and visual artists. Call 713.639.7500 About the SpeakerElizabeth Povinelli is a professor at Columbia University in New York; a corresponding fellow of the Australian Academy for the Humanities; and a founding member of the Karrabing Film Collective

  10. Lecture | Lighting Designer Hervé Descottes

    He creates the lighting concepts for all projects designed by L’Observatoire. Speaker: Hervé Descottes November 18, 2021 | Free AdmissionRegistration Info  WATCH THE VIDEO French lighting designer Hervé Descottes collaborated with MFAH director Gary Tinterow and architect Steven Holl to design the lighting for Commenting on the challenge of using light to create a subtle atmospheric finish throughout the building, Descottes said, “The architect has a vision for volume and space, and the curator wants art lit in a certain way, but we