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The Discreet Charm of the Bourgeoisie (Le charme discret de la bourgeoisie)
Accessibility The MFAH strives to provide a welcoming and accessible experience for all guests by offering a range of accommodations—learn more here. Digital Restoration “One of the finest satires in modern cinema” —Wall Street Journal Luis Buñuel’s wittiest film, The Discreet Charm of the Bourgeoisie centers on six friends from the French middle class attempting to gather for But when the friends (Stéphane Audran, Jean-Pierre Cassel, Paul Frankeur, Bulle Ogier, Fernando Rey, and Delphine Seyrig) learn they are mistaken about the date, the surreal fantasy repeatedly shows the bourgeois group meeting for
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Core Program Series | Virtual Lecture | Ylinka Barotto
Central TimeRegister Now As guest curator at Rice Unversity’s Moody Center for the Arts, Barotto is organizing an exhibition by Baseera Khan. Barotto has also curated for the Magazzino Italian Art Foundation and Italian Cultural Institute in New York; served as assistant curator at the Solomon R. Call 713.639.7500 • See the 2021–2022 Lecture Schedule About the Core Residency ProgramEstablished in 1982, the Glassell School of Art’s Core Residency Program offers postgraduate residencies for art critics and visual artists
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Botox
Special thanks to community partners Society of Iranian American Women for Education; and Iranian Cultural Foundation-Houston. When their brother disappears, they claim he has left Iran for Germany with a smuggler. Over time, the lie takes on a life of its own, leading to dark and mysterious places. Botox won the award for Best Feature Film at Italy’s Torino Film Festival in 2020. Visiting Guidelines Masks are required to be worn during films and programs inside Museum auditoriums.
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Fire/Works: Enamel Art through the Centuries
The process of enameling has captivated artists and collectors for 1,000 years. Enamel is a form of glass that is mixed with metallic oxides for color and applied to a metal or glass base through the act of firing at high temperatures. Renowned Russian jeweler Peter Carl Fabergé revived enamel techniques in the late 19th century, and in the 20th century, industry used enamel for its durability.
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Intersecting Modernities: Latin American Art from The Brillembourg Capriles Collection
On public display for the first time, this exquisite collection of 20th-century Latin American art has been on long-term loan to the MFAH for several years and has undergone extensive research by curators and conservators. Latin American Art at the MFAH More information about the Museum’s department of Latin American art, and the International Center for the Arts of the Americas (ICAA), is available here.
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Three Decades of West Coast Ceramics, 1956–1986
National Council on Education for the Ceramic Arts Three Decades of West Coast Ceramics, 1956–1986 is presented in conjunction with the 2013 NCECA conference, held in Houston. For information, click here. The resulting sculptural pieces were groundbreaking, and this search for a new aesthetic changed international ceramic art forever.
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Helmut Newton: White Women • Sleepless Nights • Big Nudes
Certain photographs in this exhibition may not be suitable for all visitors. This exhibition is organized by Manfred Heiting for the Museum of Fine Arts, Houston. Generous funding is provided by: An Anonymous Donor Franci and Jim Crane The prints on view in Helmut Newton: White Women • Sleepless Nights • Big Nudes were made specifically for the exhibition and are large-scale—some reaching nearly 8 x 8 feet.
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Roman Vishniac Retrospective Opens at the Museum of Fine Arts, Houston, in September
Sep 2, 2015 - “For more than 70 years, Roman Vishniac has been known for his iconic images of Jewish life in prewar Eastern Europe,” said Gary Tinterow, Museum director. It is made possible with support from the National Endowment for the Arts. Photomicroscopy became Vishniac’s primary focus for the last 45 years of his life.
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Virtual Cinema | New Documentary Paints a Riveting Portrait of Artist & Activist David Wojnarowicz
Mar 23, 2021 - “One of the last frontiers left for radical gesture is in the imagination.” Underwriting for the Film Department is provided by Tenaris and the Vaughn Foundation. He landed in the middle of the culture wars of the late 1980s and early 1990s when the National Endowment for the Arts withdrew funding for an exhibition in which he was featured, calling his work too political.
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The Misfits
Underwriting for the Film Department is provided by Tenaris, The June Leaf and Robert Frank Foundation, and the Vaughn Foundation. Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.