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  1. Colony

    Horror master Yeon Sang-ho (Train to Busan) directs a new zombie thriller starring Gianna Jun and Koo Kyo-hwan. Trapped inside with no escape, Se-jeong—along with a small group of survivors—must fight to stay alive while those infected undergo gruesome transformations. Professor Se-jeong (Jun) is thrust into a bloody nightmare when a rapidly mutating virus is released during a biotech conference, causing authorities to seal the facility.

  2. Classe tous risques

    —New York Times Claude Sautet’s first major feature stars Lino Ventura as Abel Davos, a wanted man in Italy, who stages a robbery in order to get money to relocate his family. As the losses mount and the noose tightens, Davos must decide when to call it quits. Classe tous risques also stars 26-year-old Jean-Paul Belmondo (straight from Breathless) and Sandra Milo.

  3. The Unknown Country

    Invited to a cousin’s wedding, Tana sets out in her grandmother’s Cadillac, driving from Minneapolis to Spearfish, South Dakota. Her continuing travels lead her to Big Bend in Texas, as fiction and nonfiction combine into a lyrical road trip that becomes a woman’s journey of discovery. 

  4. Godland (Vanskabte land)

    Set in the late 19th century, this haunting psychological epic follows a young Danish priest who travels to Iceland’s southeastern coast to establish a church. What unfolds is a transfixing journey into the heart of colonial darkness attuned to both the majesty and terrifying power of the natural world.

  5. The African Desperate

    Journey with MFA Grad Palace Bryant in her hazy, hilarious, and hallucinatory odyssey needs to get back home to Chicago from upstate New York, stumbling from academic critiques to backseat hookups.

  6. Cai Guo-Qiang Commission for the Ting Tsung and Wei Fong Chao Arts of China Gallery

    To enhance the contemporary perspective, the MFAH Portal Project invited artist Cai Guo-Qiang to create Odyssey. Cai executed Odyssey, his gunpowder drawing on 42 panels, at a Houston warehouse in early October 2010. A limited number of free tickets made it possible for the public to attend the sessions, and the ignition event was livestreamed via CultureMap and shown at the MFAH viewing party at Saint Arnold Brewing Company.

  7. Artist Talk | Aspen Golann "Tools for the Future"

    Presented by: Special thanks to PaperCity Her work brings a new vision to traditional American furniture forms.   Plan Your Visit Included with Museum admission. Seating available on a first-come, first-served basis. conversation with associate curator Elizabeth Essner, furniture-maker Aspen Golann reflects on the historical roots of her practice and her plans for the future as founder of the Chairmaker’s Toolbox, an initiative creating pathways to

  8. The Cool World

    Construction does not affect access to Lynn Wyatt Theater in the Kinder Building. Access to Films in Brown Auditorium TheaterWhile the entry from Main Street into the Law Building is under construction, park in the Beck Building garage (1144 Binz Street) and take the Wilson Tunnel to the theater. Pennebaker(USA, 1953) A colorful montage of New York’s elevated trains is set to music by Duke Ellington.

  9. Seated Zazen | Meditation Series

    On Thursdays, the Museum is open from 11 a.m. to 9 p.m. with free general admission. On Saturdays, the Museum is open from 11 a.m. to 6 p.m. with regular general admission. Hours & Admissions About the PresentersThe mission of Houston Zen Center is to express, make accessible, and embody the wisdom and compassion of the Buddha. The MFAH is collaborating with Houston Zen Center to offer a series of zazen (seated) meditation sessions inspired by None Whatsoever: Zen Paintings from the Gitter-Yelen Collection.

  10. František Kupka’s “The Yellow Scale”

    More than any other canvas, The Yellow Scale represents a turning point as Kupka was about to embark on a path that would ultimately lead to pure abstraction. On Thursdays, the Museum is open from 11 a.m. to 9 p.m. with free general admission. This talk places the unforgettable painting in the context of Kupka’s contributions to the Czech avant-garde, his exploration of music and color, and the portrait’s philosophical underpinnings.