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  1. Ernie Barnes’s “The Sugar Shack” Goes on View at the Museum of Fine Arts, Houston, June 15

    Jun 13, 2022 - The first was acquired by Motown star Marvin Gaye, who featured it on the cover of his 1976 album I Want You. I know that Ernie Barnes’s masterwork will be as inspirational for all those who will see it as it has been for us.” Barnes painted two versions of The Sugar Shack. “I want to thank Bill Perkins for his generous loan to the Museum of Ernie Barnes’s extraordinary painting,” commented Gary Tinterow, Director, Margaret Alkek Williams Chair, of the MFAH.

  2. Ragnar Kjartansson’s “The Visitors” on view at the MFAH this summer

    Jun 6, 2019 - endOnce again I fall into, / My feminine waysThere are stars exploding, / And there’s nothing you can do.” “In addition to offering this unique experience this summer, I am delighted to announce this important addition to the Museum’s growing permanent collection.” “A pink rose, / In the glittery frost, / A diamond heart, / And the orange red fireOnce again I fall into, / My feminine waysYou protect the world from me, / As if I’m the only one’s who’s cruel,You’ve taken me, / To the bitter

  3. Intern Project Uncovers Fun Facts about MFAH Films

    Sep 13, 2019 - I can’t wait to see how programming is expanded and challenged with the addition of the new theater in 2020 and beyond. Learn more about MFAH Films and see the upcoming film schedule. In the process, I compiled some trivia from the database to demonstrate how useful it is for gathering information—and how interesting the Museum’s history is! What is the first film the MFAH ever showed? Trick question!

  4. MFAH Films: Hollywood’s “Pre-Code” Era

    Jul 7, 2019 - Prior to my internship at the MFAH, I wrongly believed that all mainstream films before 1960 were products of an era of censorship. I was unaware that large-scale, Hollywood-backed films could be raunchy, crass, and edgy.

  5. Her Starfish Will Lure You In

    Nov 26, 2014 - “I realized that starfish have five limbs,” she says, “and we have five fingers, and I thought, oh my!”

  6. New Year Reflections

    Dec 30, 2011 - Lastly, I feel that some regulatory compliance, such as restricting Personally Identifiable Information, is actually easier in an electronic environment.             3. I feel for a number of reasons that the MFAH is at a critical juncture. One is that e-records created in 1998 should become accessible for public research within the next 3 years. Additionally, ARMA has introduced the GARP Maturity Model; I would like the MFAH to be in a position to conduct an external audit of record-keeping practices following implementation of the ERA.

  7. Museum of Fine Arts, Houston, celebrates two mavericks of the American Avant-Garde with the exhibition “Kindred Spirits: Louise Nevelson & Dorothy Hood”

    Sep 17, 2018 - of the word I use the plastic form for my images. . . . “I became fascinated with the possibilities of looking at Dorothy Hood’s work in relation to Louise Nevelson’s when I discovered that the 1970 Hood survey presented by Houston’s Contemporary Arts Museum came immediately on the I really deal with shadow and space.” In both media and palette the oeuvre of the two artists are complementary.

  8. Ken Mazzu: Points of Interest

    Within this region, I have long been inspired by the coastal marshes, inland waterways, timeless beaches, and coastal prairies that encompass the Upper Texas Gulf Coast.”

  9. In-Gallery Extras for “Colors of the Oasis”: Getting Our Hands Dirty So You Don’t Have To!

    Mar 16, 2017 - When I first began researching the ikat textiles of the exhibition Colors of the Oasis: Central Asian Ikats, I had no idea it would lead to being up to my elbows (literally) in crushed insects. Get Hands-on with Natural Dyes at the Discovery Cart I was fortunate enough to spend an afternoon with several members of the CHH, who gave me a crash course in natural dyes.

  10. In September in the Nancy and Rich Kinder Building at the MFAH: The First US Museum Exhibition of Renowned German Jewelry Artist Dorothea Prühl

    Aug 13, 2025 - I am satisfying an archaic yearning that I share with the viewer or the wearer, and that connects me to them. To this end, I am looking for images and signs.”