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  1. The Dog Who Wouldn’t Be Quiet (El perro que no calla)

    Photographed in stark black-and-white, The Dog Who Wouldn’t Be Quiet captures Sebastián’s midlife coming-of-age in slices of life both specific and universal as he struggles to adjust to a world that is perpetually changing—and A risk of exposure to COVID-19 exists in any public setting. In the interest of your personal safety and community health, please observe all precautions set forth by the MFAH—learn more here. no calla) Directed by Ana Katz(Argentina, 2021, Digital, in Spanish with English subtitles) “A monochrome miracle” —Variety Presented by director Ana Katz, with Q&A Sebastián (Daniel Katz), an ordinary man in his 30s devoted to

  2. Members Event | “Calder-Picasso” Art-Making Activity for Families

    Activities are recommended for ages 4 to 12, with adult supervision. Safety Guidelines A risk of exposure to COVID-19 exists in any public setting, and masks are required indoors. SOLD OUT MFAH members at the Family Level and above are invited to reserve tickets for an afternoon of art-making activities inspired by the exhibition Calder-Picasso. Tickets | SOLD OUTLimit of 5 per family.

  3. Laura

    Shortly before her wedding to a dashing playboy (Vincent Price), Laura is murdered, and the detective (Dana Andrews) assigned to the case finds himself falling under Laura‘s spell. Visiting Guidelines Masks are required to be worn during films and programs inside Museum auditoriums. Capacities are limited, and advance tickets are recommended. A risk of exposure to COVID-19 exists in any public setting.

  4. Kevin O. Mooney: 366247•2012

    The video features 12 months playing simultaneously on 12 screens, from January (at top left) to December (at bottom right), until each fades into darkness. Mooney (born 1957) also uses his camera to record the more personal and profound passages of life: a graduation in May; a wedding in July; his father’s illness, death, and funeral in the fall. His ever-present camera catches the meanderings of two ginger cats; the mundane rituals of daily existence—sleeping, brushing teeth, drinking coffee, driving to work, eating lunch, checking the mailbox, watching television—and

  5. Eye on Houston: High School Documentary Photography

    All high schools in the Houston Independent School District were invited to share their work, and the Museum received more than 400 submissions. Students were motivated to participate by their teachers, including Ray Carrington, Neda Khan, Abigail Marte, Terry Merwin, Danielle Pontus, and Kelly Quarles. For the annual exhibition Eye on Houston: High School Documentary Photography, the Museum collaborates with area high schools to document and celebrate Houston’s diverse neighborhoods.

  6. Wangechi Mutu “The End of carrying All”

    Whether The End of carrying All depicts an apocalypse brought about by human hubris and materialism, or the earth shattered by a woman’s fall, is left to the viewer to decide. But when it comes to video, I’m there, I’m in it. I’m alive and being captured in time and space.” This exhibition is organized by the Museum of Fine Arts, Houston. “My videos provide a way for me to enact, represent, what I value about women through rehearsed movement, I guess,” Mutu has said. “I’m aware that when I’m making collages and my drawings I’m fabricating, I’m concocting.

  7. Shadow Monsters

    For the Houston presentation, Worthington worked with MFAH staff to take advantage of the theatrical stage of the Museum's Cullinan Hall. Shadow Monsters, an interactive installation by New York-based British artist Philip Worthington, invites Museum visitors to take part in a fully immersive art experience. People's hands become mouths with razor-sharp teeth; tongues, eyes, and fins appear from every appendage; and birds and dinosaurs squawk throughout the Museum's vast Cullinan Hall—all thanks to vision-recognition software that

  8. Mona Hatoum: Twelve Windows

    Visitors are invited to navigate their way through the installation. Twelve embroidered pieces of fabric, or “windows”—one-meter-square each—are attached with wooden clothes-pegs to steel cables stretched between two walls. Twelve Windows, conceived by artist Mona Hatoum, was created in collaboration with Inaash, a Lebanese non-governmental organization founded in 1969 to generate employment for Palestinian women in Lebanese refugee camps.

  9. Paradise Underfoot: A 17th-Century Carpet from Iran

    Another role was as a reverent space for the privileged or wealthy to sit, as demonstrated in the accompanying painting Layla and Majnum in School. Gardens held great social significance, because they were seen as a luxury, as well as spiritual importance because of their allusions to a celestial paradise. The intricately woven palmettes, vine tracery, and abundance of other floral motifs covering this example allowed its owner to create a portable, paradisiacal garden on earth.

  10. English Taste: The Art of Dining in the Eighteenth Century

    Eminent English food historian Ivan Day uses Raffald’s recipes to create the faux foods—perhaps shockingly realistic to 21st-century eyes—which include roasted pheasant, beaked snipe, flummery jellies, and a larded hare. The first special exhibition ever held at Rienzi, the MFAH house museum for European decorative arts, English Taste treats you to a dining-room extravaganza typical of a 1760s English country house. In order to impress their guests and assure them that they were dining amid fashionable people of consequence, hosts served sumptuous dishes, adorned with towering sugar constructions and amusing trompe l'oeil (fool-the-eye) jellies