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Museum of Fine Arts, Houston, Presents the Work of Argentine Conceptual Artist Leandro Erlich in June 2022
Mar 3, 2022 - Erlich explores the perceptual bases of reality and our capacity to confront these fundamental foundations. As he said in a 2014 interview, he considers space “the ‘stage’ of our lives. … My work is like opening a window to see the new world and other realities.” “His interventions into ordinary spaces resonate perhaps even more so today, at a time when our collective sense of time and space has become fluid and uncertain.”
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Handsome Antonio (Il bell'Antonio)
Special thanks to our cultural partner Italian Cultural Institute in Los Angeles, Professor Alessandro Carrera from the University of Houston, and Kate MacKay, UC Berkeley Art Museum & Pacific Film Archive.
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Girl with the Suitcase (La ragazza con la valigia)
Special thanks to our cultural partner Italian Cultural Institute in Los Angeles, Professor Alessandro Carrera from the University of Houston, and Kate MacKay, UC Berkeley Art Museum & Pacific Film Archive.
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The Facts of Murder (Un Maledetto Imbroglio)
Special thanks to our cultural partner Italian Cultural Institute in Los Angeles, Professor Alessandro Carrera from the University of Houston, and Kate MacKay, UC Berkeley Art Museum & Pacific Film Archive.
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Let’s Make Monsters
Apr 14, 2020 - Follow along with Elizabeth Roath Garcia, our studio and gallery programs manager—and let’s make monsters! Download step-by-step instructions
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Art Crowd
Don’t miss out on this exciting opportunity to be part of our thriving young MFAH community.
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Once Upon a Time in the West (C’era una volta il West)
Special thanks to our cultural partner Italian Cultural Institute in Los Angeles, Professor Alessandro Carrera from the University of Houston, and Kate MacKay, UC Berkeley Art Museum & Pacific Film Archive.
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William Forsythe Inspires Movement with “Choreographic Objects”
Jul 2, 2019 - Blurring the Lines One of the foremost choreographers of our time, Forsythe began his ongoing series of Choreographic Objects in 1991. The works in his renowned Choreographic Objects reveal the ways we consciously and unconsciously move through space and time, interact with one another, and respond to both the potential and the limits of our own bodies.
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Virtual Cinema | See Critically Acclaimed Films This Winter
Dec 7, 2020 - Two critically celebrated dramas in our virtual theater may have additional honors to come. As Karen Fang, a member of the Museum’s film subcommittee, says about Coded Bias, “a documentary critique of the destructive prejudices built into our technologies and social structures may not seem like an obvious movie choice
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“Anicka Yi: Karmic Debt” Opens at the Museum of Fine Arts, Houston in June, the Latest in the Museum’s Long-Running Summer Immersive Series
May 21, 2025 - “We will be creating our own.” “Anicka Yi shows us that it is possible to use AI systems to express our most human concerns, as she invites viewers to consider our place in ever-evolving cycles of creation and change,” noted Gary Tinterow, director and Margaret Their fossil record offers insight into prehistoric climates—what poet Alexis Pauline Gumbs calls the “preconditions for our breathing.”