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Teamwork Saves a Great Work of Art for Houston’s Future
Aug 22, 2019 - The call for help came September 6, 2017, from our trustee Sarah Trotty. Then, the Museum coordinated with our construction company, McCarthy, to patch the roof. Our conservators, led by Soni Bomford, started putting tissue facing on the fragile sections to stabilize them.
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Every Dot Knows Where It Is: A Chat with Pipilotti Rist
Jun 26, 2017 - A machine is always only an extension of our body. For example, a camera is a bad, simple copy of our very complex eye system. Our brains are made up of low-voltage electrode signals—Pixel Forest looks like a simplified brain. In a way, all technology is a copy of nature. What was the process for putting these installations together?
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Museum of Fine Arts, Houston, Presents the Work of Argentine Conceptual Artist Leandro Erlich in June 2022
Mar 3, 2022 - Erlich explores the perceptual bases of reality and our capacity to confront these fundamental foundations. As he said in a 2014 interview, he considers space “the ‘stage’ of our lives. … My work is like opening a window to see the new world and other realities.” “His interventions into ordinary spaces resonate perhaps even more so today, at a time when our collective sense of time and space has become fluid and uncertain.”
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Handsome Antonio (Il bell'Antonio)
Special thanks to our cultural partner Italian Cultural Institute in Los Angeles, Professor Alessandro Carrera from the University of Houston, and Kate MacKay, UC Berkeley Art Museum & Pacific Film Archive.
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Girl with the Suitcase (La ragazza con la valigia)
Special thanks to our cultural partner Italian Cultural Institute in Los Angeles, Professor Alessandro Carrera from the University of Houston, and Kate MacKay, UC Berkeley Art Museum & Pacific Film Archive.
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The Facts of Murder (Un Maledetto Imbroglio)
Special thanks to our cultural partner Italian Cultural Institute in Los Angeles, Professor Alessandro Carrera from the University of Houston, and Kate MacKay, UC Berkeley Art Museum & Pacific Film Archive.
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Let’s Make Monsters
Apr 14, 2020 - Follow along with Elizabeth Roath Garcia, our studio and gallery programs manager—and let’s make monsters! Download step-by-step instructions
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Art Crowd
Don’t miss out on this exciting opportunity to be part of our thriving young MFAH community.
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Once Upon a Time in the West (C’era una volta il West)
Special thanks to our cultural partner Italian Cultural Institute in Los Angeles, Professor Alessandro Carrera from the University of Houston, and Kate MacKay, UC Berkeley Art Museum & Pacific Film Archive.
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William Forsythe Inspires Movement with “Choreographic Objects”
Jul 2, 2019 - Blurring the Lines One of the foremost choreographers of our time, Forsythe began his ongoing series of Choreographic Objects in 1991. The works in his renowned Choreographic Objects reveal the ways we consciously and unconsciously move through space and time, interact with one another, and respond to both the potential and the limits of our own bodies.