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Herat, the Pearl of Khurasan: Urban and Cultural Transformation under Shahrukh (reigned 1409–47)
Roxburgh has co-curated exhibitions including Traces of the Calligrapher: Islamic Calligraphy in Practice, c. 1600–1900 at the MFAH and Turks: A Journey of a Thousand Years at the Royal Academy of Arts in London.
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“Who’s Behind Black Art” Film & Discussion (Part 2 of 2)
Russell H. and Rosalind C. JacksonJay Jones and Terry Wayne JonesMerinda Watkins-Martin and Reginald MartinAnn and Alton McDowell
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“Who’s Behind Black Art” Film & Discussion (Part 1 of 2)
Russell H. and Rosalind C. JacksonJay Jones and Terry Wayne JonesMerinda Watkins-Martin and Reginald MartinAnn and Alton McDowell
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Artists in Dialogue | Featuring “Multiplicity” Artists Tomashi Jackson & Nyugen Smith
Russell H. and Rosalind C. JacksonJay Jones and Terry Wayne JonesMerinda Watkins-Martin and Reginald MartinAnn and Alton McDowell
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Artists in Dialogue | Featuring “Multiplicity” Artists Tay Butler & Jamea Richmond-Edwards
Russell H. and Rosalind C. JacksonJay Jones and Terry Wayne JonesMerinda Watkins-Martin and Reginald MartinAnn and Alton McDowell
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Discussion | Activism and Aperture: Houston through the Lens of Black Power, 1967
Russell H. and Rosalind C. JacksonWendy and Mavis Kelsey/Fan and Peter MorrisKaren and Ramon Manning Merinda Watkins-Martin and Reginald Martin
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Artists in Dialogue | Featuring “Multiplicity” Artists Kaima Marie Akarue & Brittney Boyd Bullock
Russell H. and Rosalind C. JacksonJay Jones and Terry Wayne JonesMerinda Watkins-Martin and Reginald MartinAnn and Alton McDowell
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Opening Day Lecture | “Multiplicity: Blackness in Contemporary American Collage”
Russell H. and Rosalind C.
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Harun Farocki: Art/Work and the Invisible Hand
Core Program receives endowment income from funds provided by: Leslie and Brad Bucher Eliza Lovett Randall The children of Eliza Lovett Randall in honor of their mother The Eleanor and Frank Freed Foundation Herbert C.
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Rembrandt, Van Dyck, Gainsborough: The Treasures of Kenwood House, London
Dec 9, 2011 - Brauer, Senior Lecturer, Glassell School of Art, MFAH Friday, June 22, at 1:30 pm, and repeated on Saturday, June 23, at 4 p.m.: Rembrandt, presented by Peter C. Among the several fine Gainsboroughs in the exhibition is the sumptuous full-length portrait Mary, Countess Howe (c. 1764), an image of both aristocratic elegance and of a landowner among her properties. Among the works by Dutch and Flemish masters in the exhibition is Rembrandt's sublime Portrait of the Artist (c. 1665), one of the artist’s last self-portraits and one of only a few of his many self-portraits that show him in