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Showing results for 35i텔레RADARDBll실시간DB판매◎I

  1. What I Know and When I Knew It

    -- Row -->   What I Know and When I Knew It / August 15–October 6, 2024 “What I Know and When I Knew It” at the Glassell School of Art receives generous funding from E. A. Michelson Philanthropy. In the multiworkshop program What I Know and When I Knew It, 30 elders from Houston’s Third and Fifth Wards embarked on a personal exploration of their life stories, weaving connections with works of art in the MFAH collections

  2. “What I Know and When I Knew It” Reception

    -- Row --> “What I Know and When I Knew It” at the Glassell School of Art receives generous funding from E. A. Michelson Philanthropy. August 31, 2024You’re invited to this reception celebrating What I Know and When I Knew It. The exhibition showcases the stories and artwork produced by participants of the program. In What I Know and When I Knew It, 30 elders from Houston’s Third and Fifth Wards embarked on a personal exploration of their life stories, weaving connections with works of art in the MFAH collections, and in turn making their

  3. Panel Discussion & Art Preview | “What I Know and When I Knew It”

    “What I Know and When I Knew It” draws on the transformative powers of the visual arts and storytelling to change the narrative around aging. Parking Information | Museum Hours | MFAH Campus Map “What I Know and When I Knew It” at the Glassell School of Art receives generous funding from E. A. Michelson Philanthropy. February 18, 2024As part of Black Art Houston, the Glassell School of Art hosts a discussion and art preview showcasing the community program “What I Know and When I Knew It: Centering Stories and Artistry in Houston’s Third &

  4. I Went to the Dance (J’ai été au bal)

    I Went to the Dance features Cajun and Zydeco greats including Michael Doucet & BeauSoleil, Clifton Chenier, Marc & Ann Savoy, D.L. Menard, and many others.

  5. I Have Electric Dreams (Tengo sueños eléctricos)

    The award-winning debut feature by writer/director Valentina Maurel focuses on Eva, a 16-year-old girl who lives with her mother, her younger sister, and their cat, but who wants to move in with her estranged father. Clinging …

  6. I'm Not Everything I Want to Be (Jeste nejsem, kým chci být)

    work and diaries of Czech photographer Libuše Jarcovjáková, dubbed the ‘Nan Goldin of Czechoslovakia’ for her raw snapshots documenting the lives of queer individuals, migrants and other marginalized peoples, I’m Not Everything I

  7. Royal Rivals: Queen Elizabeth I & Mary, Queen of Scots

    Jan 4, 2019 - Portrait of Elizabeth I Marcus Gheeraerts the Younger, Queen Elizabeth I (“The Ditchley Portrait”), c. 1592, oil on canvas, National Portrait Gallery, London. The only surviving child of Henry VIII, Elizabeth I inherited the throne in 1558. In contrast to her cousin Mary’s portrait, the full-length Ditchley Portrait shows Queen Elizabeth I as austere and distant—even rather forbidding.

  8. Virtual Cinema | An Inventive Documentary on Autism: “The Reason I Jump”

    Dec 11, 2020 - The Reason I Jump won the 2020 Sundance Film Festival’s World Documentary Audience Award. . • The Reason I Jump / WATCH HERE beginning January 8. Your ticket supports the MFAH and provides a 5-day pass to the film. Like the best documentaries, The Reason I Jump is a thought-provoking film with insights that resonate long beyond its running time.

  9. Walk Away Renee

    Oct 31, 2012 - I knew at some point that I wanted to tell stories in some realm of experimental form, even though back then I probably couldn't exactly articulate that. JC: Gosh, I hope not—ha ha. If anything, I am segueing into a completely different territory very soon. I don't reckon this will be anything like the Seven Up series, ha! When I was about 12, I was hanging out with these older film snob types in Houston (have no idea how I even met them) and they exposed me to the likes of Paul Morrissey and John Waters, etc.

  10. A Force of Color: Painting-in-Action with GONZO247

    May 13, 2020 - I grew up in Eastwood, a neighborhood in Houston’s East End. When I became more established as an artist, I crossed paths with the Eastwood Academy to do art projects with the students. I used this inspiration, tied it to what I do, and translated to Plexiglas. Why is a live demonstration important to you? I think the real art is the process. What you end up with is residual to the energy and work. I was never taken to museums or galleries. The only art I had access to was on the street, when I was a captive audience in the back seat of my parents’ car. That mural inspired me and other kids to become artists.