Past Hirsch Exhibitions
“Sing a Song of Achievement”: A History of the Limited Editions Club Publications
View the virtual edition of “Sing a Song of Achievement”: A History of the Limited Editions Club Publications
Looking North: Arctic Exploration in Print
View the virtual edition of Looking North: Arctic Exploration in Print.
Flashpoint! Protest Photography in Print, 1950–Present
October 9, 2025–January 24, 2026
Flashpoint! Protest Photography in Print, 1950–Present is a reading room exhibition focusing on global protest photography in print through photobooks, zines, posters, pamphlets, independent journals, and alternative newspapers that address protest and resistance from the 1950s on. Since its inception, photography has captured key historical moments and served as both a tool and a document of political protest. By placing photobooks in conversation with posters, DIY zines, and independent journals, Flashpoint! explores the diverse roles and aesthetics of the medium in its support of protest and resistance.
This hands-on reading room was organized by 10×10 Photobooks, a nonprofit organization that fosters engagement with the global photobook community.
On-site
Hirsch Library is located on the lower level of the Beck Building.
Facts and Fantasy: Illustrations of the Natural World
View the virtual edition of Facts and Fantasy: Illustrations of the Natural World.
Private Pages: Sketchbooks and the Artistic Process
December 18, 2024 –April 19, 2025
This exhibition brings together works from both the MFAH art collections and the Hirsch Library special collections to trace the broad range of artistic expression provided by the sketchbook. Private Pages includes original copies of artists’ sketchbooks, special-edition facsimiles that show the smallest torn page and stray mark, and finished books centered around the aesthetics of sketches and preliminary artistic endeavors.
Works of art—especially those experienced in a gallery or museum setting—exist not just on their own, but also in relationship to a viewer or audience. In contrast, the artist’s sketchbook has always been a space not only for honing skills and producing studies for future works, but also an area for working on concepts and ideas without considering an audience at all.
Online
View the virtual edition of Private Pages: Sketchbooks and the Artistic Process.
Child’s Play: Artists as Children’s Book Illustrators
August 21–December 14, 2024
Over the course of the 20th century, artists such as David Hockney, Lois Mailou Jones, and Diego Rivera, best recognized for their work in other media, have frequently employed their skills to illustrate children’s books. Each of the nine publications featured here exhibits a dynamic interaction between the author’s words and the artist’s imagery with a global reach that extends to England, France, Italy, Mexico, the United States, and Uruguay. While the styles vary widely from Cubist to Expressionist to Pointillist and beyond, the unifying element is a sense of playfulness crafted to edify and delight young readers—not to mention adults.
This exhibition, culled from the Hirsch Library’s rare book collection, overlaps with a related installation mounted at the Kitty King Powell Library and Study Center at Bayou Bend, The Good Child’s Library: 19th-Century American Children’s Publications from the Hirsch and Powell Rare Collections, on view through October 19, 2024.
Online
View the virtual edition of Child’s Play: Artists as Children’s Book Illustrators.
Bea Nettles: Myth Maker, Storyteller
March 13–August 17, 2024
For more than 50 years Bea Nettles has mined her memory and vivid imagination to create photographic narratives that are deeply personal, and yet, universal in nature. From the outset her works have taken the form of photobooks that merge image and text, addressing subjects as diverse as mythmaking, autobiography, and relations with the natural world. Works from a feminine perspective ran counter to the largely male-dominated photobook world that began to develop in the 1960s and 1970s. Not one to be deterred by tradition or expectation, Nettles explored the potential for publications that embraced a more intimate and introspective sensibility, forging a trail for others in her wake.
The Hirsch Library recently acquired more than 50 photographically illustrated books directly from the artist, making for one of the most substantial collections of Nettles’s work. Featured here are 14 publications representing the full range of this singular figure in the field of photobook making.
Online
View the virtual edition of Bea Nettles: Myth Maker, Storyteller.
The Gorgeous and the Grotesque: The Illustrations of Edward Gorey
November 1, 2023–March 9, 2024
The work of Edward Gorey has been seen in books across various genres, illustrated on posters for ballets, constructed on stage for Broadway productions, and featured on public television for more than seven decades. The many different styles of Gorey’s book illustrations, for which he is best known, represent his morbid, yet fascinating way of looking at the world. His drawings feature a plethora of subjects: odd figures in ominous landscapes, quirky people in humorous situations, gothic houses filled with skeletons and ghosts, alien machines burning people alive, naughty children torturing animals, and character after character meeting an untimely end.
Yet Gorey (1925–2000) draws in such a way that, no matter how odd or grotesque, every scene is filled with intrigue and wonder. From his early days illustrating the work of other authors, through years of settling into his own style and authorial voice, to his later years experimenting with color as well as format, this exhibition spans his decades-long career and highlights his always-evolving nature as an artist.
Online
View the virtual edition of The Gorgeous and the Grotesque.
Birdwatching by the Book: Birds in Print in 19th-Century America
July 12–October 28, 2023
Publishing in 19th-century America mirrored the nation’s ambitions as the country sought to fulfill its Manifest Destiny. Volumes depicting uncharted flora and fauna were among the genres that caught the public’s imagination and found a welcome market.
Colorplate books featuring birds yielded some of the most spectacular publications, with the octavo edition of The Birds of America by John James Audubon serving as the high-water mark. Audubon’s publication and similar illustrated books helped to expand awareness of birds to elite buyers of expensive volumes. More-modest publications reached a wide audience: middle-class readers, scientists, political leaders, and even children.
Birdwatching by the Book features 11 publications culled from the Hirsch Library and Powell Library that reveal American bird illustration at its apex. These books expanded awareness to a nation keen for a better understanding and appreciation of its avian neighbors.
Online
View the virtual edition of Birdwatching by the Book.
See the library catalog listing for the books and periodicals included in the exhibition.
Dan Walsh: Minimalist at Play
January 11–July 8, 2023
Over the past 25 years, New York–based artist Dan Walsh has incorporated book production into his artistic practice, receiving wide acclaim for his virtuosic and playful artist’s books. Walsh (born 1960) works within the minimalist tradition, which is often characterized as cold and austere. However, he brings a warmth to his productions by exposing his process and the variations created by the human hand. Subtle imperfections play out on the pages of his books in the form of irregularities of line, brushstroke, and coloration.
Ultimately, Walsh challenges himself and the viewer to remain present by focusing on minute details while remaining open to the broader possibilities within a highly controlled environment. The nine books on view in Minimalist at Play feature Walsh’s adept skills through a range of media including watercolor, acrylic, ink, and pencil, as well as technical processes such as woodcut printing, cut paper, and bookbinding.
Online
View the virtual edition of Dan Walsh: Minimalist at Play.
See the library catalog listing for the books and periodicals included in the exhibition.