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Conversation | "Fridamania"

Date & Time

Sat. Apr. 04, 2026 2 PM-3:30 PM
This event has passed

Location Main Campus | Law Building

Parking at Beck Garage
Drop off at Beck Building

Email Your Questions [email protected]

Conversation | "Fridamania"

Date & Time

Sat. Apr. 04, 2026 2 PM-3:30 PM
This event has passed

Location Main Campus | Law Building

Parking at Beck Garage
Drop off at Beck Building
 
 

In conjunction with Frida: The Making of an Icon, art historian and curator Arden Decker sits down with artists Cristina Kahlo Alcalá, Danie Cansino, Enrique Chagoya, and Blanca Garduño. The discussion centers on the emergence of the “Fridamania” phenomenon in the 1980s and 1990s as well as the forces that catapulted Frida Kahlo to the status of pop culture icon. 

Language interpretation services are provided for simultaneous translation through headset devices. 


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About the Speakers
Arden Decker is an art historian and curator specializing in modern and contemporary art of Mexico. She holds a PhD in art history from the City University of New York Graduate Center and is the associate director of the International Center for the Arts of the Americas (ICAA). Decker has served as a contributing curator to exhibitions including Gerzso, Gerzso, Gerzso at CCU Tlatelolco, UNAM; Niérika: el archivo Lilly at the Centro de la Imagen in Mexico City; and Frida: The Making of an Icon

Cristina Kahlo Alcalá is a Mexican artist who uses a number of photographic printing techniques including platinum, cyanotype, and heliogravure as well as collage and intervening images. She explores subjects like the feminine universe, geometry, rituals, music, architecture, and nature. Her work is included in the collections of the Eli and Edythe Broad Art Museum at Michigan State University, El Museo Latino in Omaha, Philadelphia Museum of Art, Judy and Sidney Zuber Collection of Latin-American Photography, Bartels Foundation Basel in Switzerland, and Fundación Coppel, BNP Paribas in Mexico, among others.

Blanca Garduño is an art historian from the Universidad Iberoamericana (Mexico City) and holds an MA from the Universidad Autónoma de Coahuila. An expert on the works of Diego Rivera and Frida Kahlo, she has published five monographs and contributed to over 300 publications. Currently, she writes for Ecos de la Costa and has several publications forthcoming. She serves as secretary of the Colima Society for Historical Studies and the Colima Chapter of the Society for the Defense of Mexico's Artistic Heritage.

Enrique Chagoya examines colonialism and oppression through the juxtaposition of secular, popular, and religious imagery. He is a professor at Stanford University and his work is included in the collections of the Museum of Modern Art in New York, the Metropolitan Museum, the Whitney Museum of American Art, San Francisco Museum of Modern Art, and the Fine Arts Museums of San Francisco, among others. He has received fellowships from the NEA, the National Academy of Arts and Letters in New York, and the Guggenheim, as well as residencies at Giverny and Cité Internationale des Arts in France. He was also awarded a Lifetime Achievement Award by the Southern Graphics Council International and was inducted to the National Academy of Design, NYC, in 2021.

Danie Cansino is an artist and educator living and working in Los Angeles. She holds an MFA from the University of Southern California and is an adjunct professor at USC Roski School of Art and Design. Her drawings and chiaroscuro oil paintings pull from her surroundings and the shared geography of her family members and close friends. Focusing on their homes, neighborhoods, and the city, these works highlight the long-standing inhabitation by generations of people as they grow up, move forward, and pass on. A love letter to her family, city, and culture, Cansino's work is also a remembrance of the suffrage of the Chicanx and Latinx people of Los Angeles.


 

En el marco de la exposición Frida: The Making of an Icon, la historiadora y curadora de arte Arden Decker conversa con los artistas Cristina Kahlo Alcalá, Danie Cansino, Enrique Chagoya y Blanca Garduño. La platica explora cómo surgió el fenómeno de la “Fridamanía” en las décadas de 1980 y 1990, así como las fuerzas culturales que impulsaron a Frida Kahlo hasta convertirla en un ícono de la cultura popular.

Habrá servicios de interpretación para traducción simultánea a través de audífonos.


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Sobre los participantes
Arden Decker es historiadora del arte y curadora especializada en arte moderno y contemporáneo de México. Obtuvo su doctorado en historia del arte en el City University of New York Graduate Center y actualmente es directora asociada del International Center for the Arts of the Americas (ICAA). Decker ha participado como curadora colaboradora en exposiciones como Gerzso, Gerzso, Gerzso en el CCU Tlatelolco de la UNAM; Niérika: el archivo Lilly en el Centro de la Imagen en la Ciudad de México; y Frida: The Making of an Icon.

Cristina Kahlo Alcalá es una artista mexicana que trabaja con diversas técnicas de impresión fotográfica, como platino, cianotipia y heliograbado, además de collage e intervención de imágenes. En su obra explora temas como el universo femenino, la geometría, los rituales, la música, la arquitectura y la naturaleza. Su trabajo forma parte de colecciones como el Eli and Edythe Broad Art Museum de Michigan State University, El Museo Latino en Omaha, el Philadelphia Museum of Art, la Judy and Sidney Zuber Collection of Latin-American Photography, la Bartels Foundation Basel en Suiza y la Fundación Coppel / BNP Paribas en México, entre otras.

Blanca Garduño es historiadora del arte en la Universidad Iberoamericana (Ciudad de México) y cuenta con una maestría de la Universidad Autónoma de Coahuila. Especialista en la obra de Diego Rivera y Frida Kahlo, ha publicado cinco monografías y colaborado en más de 300 publicaciones. Actualmente escribe para Ecos de la Costa y prepara nuevos proyectos editoriales. También se desempeña como secretaria de la Sociedad Colimense de Estudios Históricos y del capítulo Colima de la Sociedad para la Defensa del Patrimonio Artístico de México.

Enrique Chagoya explora temas de colonialismo y opresión mediante la yuxtaposición de imágenes seculares, populares y religiosas. Es profesor en Stanford University y su obra forma parte de colecciones como el Museum of Modern Art de Nueva York, el Metropolitan Museum of Art, el Whitney Museum of American Art, el San Francisco Museum of Modern Art y los Fine Arts Museums of San Francisco, entre otras. Ha recibido becas del National Endowment for the Arts (NEA), la National Academy of Arts and Letters de Nueva York y la Guggenheim Foundation, además de residencias artísticas en Giverny y la Cité Internationale des Arts en Francia. También fue reconocido con el Lifetime Achievement Award del Southern Graphics Council International y fue nombrado miembro de la National Academy of Design en Nueva York en 2021.

Danie Cansino es artista y educadora que vive y trabaja en Los Ángeles. Obtuvo una maestría en bellas artes (MFA) en la University of Southern California y es profesora adjunta en la USC Roski School of Art and Design. Sus dibujos y pinturas al óleo en claroscuro se inspiran en su entorno y en la geografía compartida por su familia y amistades cercanas, enfocándose asi en sus hogares, vecindarios y ciudades. Estas obras destacan la presencia de generaciones de personas que crecen, avanzan y dejan huella. El trabajo de Cansino funciona como una carta de amor a su familia, su ciudad y su cultura, y también como una memoria de las luchas y sacrificios de las comunidades chicanas y latinas de Los Ángeles.


Email Your Questions [email protected]

The 49th Annual Ruth K. Shartle Symposium receives generous support from The Brown Foundation, Inc.
 
Learning and Interpretation programs at the Museum of Fine Arts, Houston, receive generous support from H-E-B; Sempra Foundation; the Brown Foundation, Inc.; the Houston Livestock Show and Rodeo; the Joe Barnhart Foundation; the Cockrell Family Fund; the CFP Foundation; the Claire & Theodore Morse Foundation; the Junior League of Houston, Inc.; and additional generous donors.
 
Endowment funds are provided by the Louise Jarrett Moran Bequest; Caroline Wiess Law; Windgate Foundation; the William Randolph Hearst Foundation; Cyvia and Melvyn Wolff; the Fondren Foundation; BMC Software, Inc.; the Wallace Foundation; the Neal Myers and Ken Black Children’s Art Fund; the Eleanor and Frank Freed Foundation; Medha and Shashank Karve; Virginia and Ira Jackson; Jesse H. Jones II; the CFP Foundation; the Favrot Fund; gifts in memory of John Wynne; Neiman Marcus Youth Arts Education; gifts in memory of Peter Lotz; and gifts in honor of Beth Schneider.

“Frida: The Making of an Icon” is organized by the Museum of Fine Arts, Houston.

Lead Global Supporter:


This exhibition is made possible in part by a grant from:

Major support is provided by:
Jerold B. Katz Foundation

Generous support is provided by:
Franci Neely
Linnet Deily

Nancy Pollok Guinee
Novum Energy

The Radoff Family
Judy and Charles Tate
Isabel and Ignacio Torras
Jesse
 Jones II and Terry Wayne Jones
Catherine and Alex López Negrete
Silvia Salle and Peter T. Wood
Alice Kleberg Reynolds Foundation
Linda and George Kelly
Yolanda and Bill Knull
Michele Leal and George K. Farah
Mary and Tom Lile

Official Promotional Partner:

Special thanks to Lopez Negrete Communications and the Secretaría de Cultura and Instituto Nacional de Bellas Artes of Mexico.