The musical Golden Eighties, from feminist filmmaker Chantal Akerman, is a unique portrait of love and survival. In a shopping mall, store employees cycle through breakups, makeups, and misunderstandings, punctuated by imaginative production numbers. Akerman deftly balances the shiny pop pleasures of the genre with variations on her signature themes, including a moving reflection on wartime trauma and Jewish resilience. At its retrospective “Chantal Akerman: The Long View,” MoMA described this film as “perhaps the last great original movie musical, wedding gravity to lightness, chaos to order.”