Lee Anne Schmitt turns the camera inward with an essay film that traces the twin legacies of the Olin Corporation: its trail of environmental ruin and its quiet hand in shaping conservative politics. Through family history and personal memory, she threads the intimate with the systemic, revealing how corporate power seeps into both private lives and public futures. Shot on 16mm and featuring the jazz of Jeff Park, the film is at once elegy and indictment, a stark meditation on inheritance, influence, and the forces shaping America.