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Showing results for I 출장안마▨ㅋr톡 gttg5▨̗녹양동아로마출장შ녹양동아로마테라피辏녹양동아줌마출장脘녹양동알바녀출장🦏conflict

  1. A Revolution on Canvas

    efforts by the artist and his daughter to recover the missing paintings while also exploring their complicated family history. 2023 Hamptons International Film Festival: Winner, Brizzolar Family Foundation Award for a Film of Conflict

  2. I Went to the Dance (J’ai été au bal)

    I Went to the Dance features Cajun and Zydeco greats including Michael Doucet & BeauSoleil, Clifton Chenier, Marc & Ann Savoy, D.L. Menard, and many others.

  3. Hirsch Library FAQs

    For art appraisals: Museum personnel do not appraise works of art or recommend individual appraisers because of a potential conflict of interest. Can I check materials out from the library?We are a non-circulating library, so all materials must remain in our reading room. How do I keep the information if I can’t check out a book? Do I have to pay an admission fee to use the Library?Visiting the Hirsch Library is always free. What do I do upon arrival?

  4. I Have Electric Dreams (Tengo sueños eléctricos)

    The award-winning debut feature by writer/director Valentina Maurel focuses on Eva, a 16-year-old girl who lives with her mother, her younger sister, and their cat, but who wants to move in with her estranged father. Clinging …

  5. Dangerous Curves: A “Sculpted in Steel” Chat with Ken Gross

    Mar 30, 2016 - I asked Ken some PG-rated questions to figure it out. Why do cars lend themselves so readily to sensuality? (Is it really just the curves?) Even when war clouds appeared on the horizon, there were still those who commissioned custom-built cars, perhaps so they’d have them in the event of a conflict—which no one thought would last forever anyway.

  6. Virtual Lecture | “Collectivity in Art”

    Mexican artist Teresa Margolles investigates the social and aesthetic dimensions of conflict, and her Lote bravo comprises 400 adobe bricks she collected in Ciudad Juárez, where corpses of sexually abused women had been buried

  7. FotoFest Biennial | “If I Had a Hammer” Symposium

    FotoFest Biennial | If I Had a Hammer Symposium The MFAH and FotoFest present a series of conversations in conjunction with If I Had a Hammer, the FotoFest Biennial 2022 central exhibition.

  8. I Too, We Two!—The Ensemble Theatre and the MFAH

    During Black History Month 2021, the MFAH and the Ensemble Theatre present “I Too, We Two!” The title “I Too, We Two!” acknowledges the collaborative spirit between the Ensemble Theatre and the Museum of Fine Arts, Houston, and also references the Ensemble Theatre’s virtual production I, Too, Am America.

  9. Raqib Shaw: Ballads of East and West

    Upon closer examination, conflict is present in almost every painting, evoking Kashmir’s turbulent history.  PublicationThe illustrated exhibition catalogue is available through the MFA Shop (713.639.7360) and the Museum’s Hirsch

  10. Royal Rivals: Queen Elizabeth I & Mary, Queen of Scots

    Jan 4, 2019 - Portrait of Elizabeth I Marcus Gheeraerts the Younger, Queen Elizabeth I (“The Ditchley Portrait”), c. 1592, oil on canvas, National Portrait Gallery, London. The only surviving child of Henry VIII, Elizabeth I inherited the throne in 1558. In contrast to her cousin Mary’s portrait, the full-length Ditchley Portrait shows Queen Elizabeth I as austere and distant—even rather forbidding.