Dora Maar Fellows in Residence
Bahar Behbahani is a multidisciplinary artist. Persian Gardens, her latest series, explores the association between seductive botany and colonialism and the relationship between knowledge and power. She has been awarded Open Sessions at the Drawing Center in New York for 2018–20. Behbahani’s work was most recently featured in the solo exhibition Let the Garden Eram Flourish, at the Hood Museum of Art at Dartmouth College; the 7th Moscow Biennale; and the 11th Shanghai Biennale. Her work has also been exhibited in Thomas Erben Gallery, New York; the 18th Biennale of Sydney, Australia; amd Sharjah Biennial 10 in the United Arab Emirites, among many others. In 2016, Behbahani was invited by Time Equities’ Art-In-Buildings Program to be an artist in residence for a full year. Behbahani has also been awarded the MacDowell Colony, an Art Omi International Artists Residency by the Pollock Krasner Foundation Grant.
John Jesurun is a playwright, director, and media artist. Since 1982 he has created text, direction, and design for more than 30 pieces, including the 61 episodes of Chang in a Void Moon; Everything that Rises Must Converge; Snow; and the media trilogy Deep Sleep/White Water/Black Maria. Fellowships include the National Endowment of the Arts, MacArthur Foundation, Rockefeller Foundation, John Simon Guggenheim Foundation, Asian Cultural Council, and Foundation for Contemporary Arts. Past projects include Faust~How I Rose at BAM; Philoktetes at Soho Rep and at Kyoto Performing Arts Center with Hideo Kanze; Stopped Bridge of Dreams at La Mama; the Jeff Buckley video “Last Goodbye”; and Harry Partch’s opera Delusion of the Fury at Japan Society. Distant Observer, a collaboration with Takeshi Kawamura, premiered at La Mama in March 2018. Jesurun was also a Dora Maar fellow in 2011.
Amanda Maddox is an associate curator in the department of photographs at the J. Paul Getty Museum in Los Angeles. Since 2011, she has organized or co-organized numerous exhibitions at the Getty, including Now Then: Chris Killip and the Making of “In Flagrante” (2017); Ishiuchi Miyako: Postwar Shadows (2015); Josef Koudelka: Nationality Doubtful (2014); and Japan’s Modern Divide: The Photographs of Hiroshi Hamaya and Kansuke Yamamoto (2013). During her stay at the Dora Maar House, Maddox completes work related to a forthcoming exhibition and publication about Dora Maar.
Edgar Endress teaches new media and social practice at George Mason University. Born in Chile, Endress has exhibited extensively throughout the world, including at the Barcelona Museum of Contemporary Art (MACBA) in 2015, the Land Art Biennial in Mongolia in 2016, and the Getty Museum’s Pacific Standard Time in 2017. In association with Provisions Library, he initiated the Floating Lab Collective, a team of interdisciplinary artists who deploy innovative art projects in collaboration with urban communities. His work focuses on syncretism in the Andes, displacement in the Caribbean, and mobile art-making practices. He has been awarded numerous grants and fellowships, including from the Virginia Museum of Fine Arts and the Creative Capital Fund.
Aimée Froom has been the curator of art of the Islamic worlds at the Museum of Fine Arts, Houston, since fall 2014. In 2015, she expanded and reinstalled the permanent galleries and the al-Sabah collection. Formerly Hagop Kevorkian Associate Curator of Islamic Art at the Brooklyn Museum, Froom has published articles and books and lectured widely on the topic of Islamic art. She has acted as a consultant to leading museums, including the Aga Khan Museum in Toronto, the British Museum in London, and the Réunion des Musées Nationaux in Paris. Recent book publications include The Legacy of Persian Art (2017) and Arts of Islamic Lands: Selections from The al-Sabah Collection, Kuwait (2016). She is a member of the American Association of Museum Curators, College Art Association and Historians of Islamic Art Association.
Jennifer Grotz is the author of three books of poetry, most recently Window Left Open. Also a translator from the French and Polish, her most recent translation is Rochester Knockings, a novel by Tunisian-born writer Hubert Haddad. Her poems, reviews, and translations have appeared in The New Yorker, Poetry, The Nation, The New Republic, New York Review of Books, Ploughshares, New England Review, and in four volumes of the Best American Poetry anthology. Director of the Bread Loaf Writers’ Conferences, she teaches at the University of Rochester. She was also a Dora Maar fellow in 2013.
Dan Devening is an artist, curator, and educator living in Chicago. He is adjunct professor of art in the department of painting and drawing at the School of the Art Institute of Chicago, where he has taught since 1988. His work has been exhibited internationally for more than 35 years, including recent projects in Chicago, Los Angeles, New York, Berlin, Cologne, Dusseldorf, Brussels, Amsterdam, Paris, Vienna, Tokyo, and Toronto, among others. Since 2007, he has directed Devening Projects, an exhibition space featuring experimental installations and events by international emerging and established artists.
Matvei Yankelevich is the author of the long poem Some Worlds for Dr. Vogt (2015), the novel-in-fragments Boris by the Sea (2009), and the poetry collection Alpha Donut (2012). Yankelevich is highly regarded as a translator from Russian. He is a co-founder and collective member of Ugly Duckling Presse, where he edits and designs books, and curates the Eastern European Poets Series. He teaches at Columbia University’s School of the Arts and is a member of the writing faculty at the Milton Avery Graduate School of the Arts at Bard College.
Ella Hickson is an award-winning writer whose work has been performed throughout the United Kingdom and abroad. Her most recent show, Oil, opened at the Almeida Theatre in October 2017. Her new show The Writer opened to rave reviews in spring 2018. She is developing new work for the National Theatre, the Old Vic, and Manhattan Theatre Club. She is also developing various projects for TV and film.
Jane MacAvock is an art historian, translator and lecturer based in Paris. She specializes in French art of the 17th century, especially painters working in Provence, France. MacAvock has written for numerous publications, most recently contributing entries on works by Provencal artists for an exhibition of drawings from the Musée des Beaux-Arts of Orléans held at Port Royal des Champs in Spring 2018. She currently teaches at the Ecole du Louvre. While at the Dora Maar House, she works on the final draft of a book on Jean Daret (1614–1668), who spent most of his career in Provence.
Jennifer Lunden has published essays in Creative Nonfiction, Orion, River Teeth, DIAGRAM, and other journals. Her work has also seen print in a number of anthologies, including True Stories, Well Told: From the First 20 Years of Creative Nonfiction Magazine; Nature and Environmental Writing: A Writer’s Guide and Anthology; and the scholarly anthology Charlotte Perkins Gilman: New Texts, New Contexts. She is the recipient of a Pushcart Prize, a Bread Loaf-Rona Jaffe Foundation Scholarship in Nonfiction, and a Money for Women/Barbara Deming Memorial Fund grant. Her book-in-progress, One Canary Sings: Notes from an Industrialized Body, was a Maine Literary Awards finalist and her essay “Evidence,” also a finalist, was named a Best American Essays notable in 2016.
Janice Caswell lives in New York City. Her work has been exhibited in numerous museums and galleries, including the Weatherspoon Museum in Greensboro, North Carolina; the Aldrich Contemporary Art Museum in Ridgefield, Connecticut; the Bronx Museum of the Arts; Savannah College of Art and Design; Galerie Anne Barault in Paris; and ArtPace in San Antonio. In 2017 she received an Arts and Letters award and a purchase prize from the American Academy of Arts and Letters.
Vint Virga, a leading veterinarian who specializes in wildlife behavior, works as an adviser on wildlife conservation, well-being, and behavior for wildlife preserves and refuges; zoological parks and gardens; animal-care foundations; and governmental agencies. He has served as an instructor at leading colleges and universities as well as conservational, environmental, and animal symposia. He has been profiled in the New York Times and featured on NPR Fresh Air, ABC World News, National Geographic Explorer, and PBS Nature. Virga’s first book, The Soul of All Living Creatures, is a winner of the Silver Nautilus Award. He posts a blog for Psychology Today and has contributed to Conjunctions, Biographile, Mind Body Green, and Books for Better Living.
Ariana Reines is a poet, playwright, and translator whose poetry books include The Cow (2006), which won the Alberta Prize from Fence Books; Coeur de Lion (2007); and Mercury (2011). Reines’s first play, Telephone (2009), was performed at the Cherry Lane Theater and received two Obie Awards. A reimagining of its second act was featured as part of the Guggenheim’s Works+Process series in 2009, and the script was published in Play: A Journal of Plays in 2010. Her translations include a version of Baudelaire’s My Heart Laid Bare (2009); Jean-Luc Hennig’s The Little Black Book of Grisélidis Réal: Days and Nights of an Anarchist Whore (2009); and Tiqqun’s Preliminary Materials Toward a Theory of the Young-Girl (2012).
Rozalie Hirs is a Dutch composer and poet whose music spans vocal, orchestral, and electronic. She often combines traditional instruments with electronic sounds. Her poetry includes printed collections and interactive digital poetry, created with visual artists and graphic designers. Performers of her music include Amsterdam Sinfonietta, ASKO | Schönberg ensemble, Royal Concertgebouw Orchestra, Bozzini Quartet, Formalist Quartet, Klangforum Wien, Netherlands Radio Philharmonic, and Slagwerk Den Haag. Hirs also performs her own compositions, mostly for international festivals. Her music scores are published by Donemus Publishing, her CDs by Attacca Productions, and her poetry books by Singel Uitgeverijen | Querido.
David Grand is the author of three novels: Louse (a New York Times Notable Book of the Year and a Los Angeles Times Best Book of the Year); The Disappearing Body (which Bookforum described as “satirical noir at its mesmerizing best”); and Mount Terminus (a New York Times, Los Angeles Times, and Le Figaro Editor’s Choice). He has received fellowships from New York University and the MacDowell Colony. He lives in Brooklyn and is an associate professor at Fairleigh Dickinson University, where he teaches fiction workshops in the undergraduate and MFA creative-writing programs. At the Dora Maar House, he plans to work on his fourth novel.
Liz Brown is at work on Twilight Man: The Strange Life and Times of Harrison Post, to be published by Viking. Her reviews and essays have appeared in Bookforum, Elle Decor, frieze, London Review of Books, Los Angeles Times, and New York Times Book Review, among other publications. She is a recipient of a Wallis Annenberg Research Grant and has been a visiting writer at Wesleyan University, as well as a faculty member in the International Center for Photography-Bard MFA program. She lives in Los Angeles.
Rich Benjamin is the author of Searching for Whitopia: An Improbable Journey to the Heart of White America, which earned an Editors’ Choice award from Booklist and the American Library Association. Now in its second printing, this groundbreaking book is one of few to have illuminated in advance the social-political forces propelling white nationalism in the United States. Benjamin’s work has received attention internationally, as well. His social and cultural criticism appear regularly in the New York Times, the New Yorker, and the Guardian, and on National Public Radio. He was recently a fellow in the literary arts at the Rockefeller Foundation Bellagio Center, and he is now a senior fellow at Demos, a U.S. think tank.
Laurel Farrin is an artist working on abstract paintings, drawings, and videos using visual structures of comedy—incongruity, awkwardness, and disruption—in order to elicit empathy for human predicaments and satirize recent political shifts toward autocracy. Farrin is an associate professor at the University of Iowa. Past residencies include the Roswell Museum and Art Center, Yaddo, the Millay Colony, VCCA, and the Atlantic Center for the Arts. Her work has been exhibited at Hallwalls, the Roswell Museum, the Corcoran Gallery of Art, the Bronx River Art Center, the Des Moines Art Center, Lesley Heller Gallery, Bemis, and the Washington Project for the Arts.
Elisabeth Frost is the author of the collection All of Us: Poems; the chapbooks Rumor and A Theory of the Vowel; the monograph The Feminist Avant-Garde in American Poetry; and Bindle, a text-image collaboration with artist Dianne Kornberg. Frost is also coeditor of Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. She has received grants from the Rockefeller Foundation-Bellagio Center, the Fulbright Foundation, the MacDowell Colony, and Yaddo, among others. She is a professor of English and women’s/gender/sexuality studies at Fordham University in New York City, where she is founder and editor of the Poets Out Loud Prizes book series from Fordham Press.
October 2017: Verdier
Aurélie Verdier, an art historian and curator, earned her PhD from the École des Hautes Études en Sciences Sociales in Paris, with a dissertation titled Aujourd’hui pense à moi. Francis Picabia, Ego, Modernity, soon to be published by les presses du réel. Her recent publications have appeared in October; Res: Anthropology & Aesthetics; and Les Cahiers du Musée national d’art moderne. Until 2007, she was the curator for the Collection of the Fonds national d’art contemporain. She received a Focillon Fellowship at Yale, as well as a Fulbright Fellowship. Verdier is curating the exhibition Picasso - Picabia: History and Painting with the Musée national Picasso in Paris. The show is scheduled to open in June 2018 at the Musée Granet in Aix-en-Provence and travel to the Fundación MAPFRE in Barcelona. While at the Dora Maar House, she works on writing the catalogue for Picasso - Picabia.
Marysia Lewandowska is a London-based artist who has been exploring the public functions of archives, museums, and exhibitions through a research-based practice that produces publications and films. She has initiated projects involving the property of others to create new relations between forms of knowledge and ownership, activating reflections on the social and immaterial public realm. She is coeditor of Undoing Property? Her current film project proposes a new typology for a museum in China, connecting financial and property speculation with cultural transformation of capital into commons. Her work has been presented by Tate Modern, Moderna Museet, Muzeum Sztuki, and Whitechapel Gallery.
Eric K. Washington is an independent historian and author based in New York City. He received recent fellowships from Columbia University’s Community Scholars Program and the CUNY Graduate Center’s Leon Levy Center for Biography. His local history interests won him the Municipal Art Society’s MASterworks Award for his interpretive signage in West Harlem Piers Park, situated in the central locale of his first book, Manhattanville: Old Heart of West Harlem. Washington also provides the keynote video narrative for Columbia’s public exhibition on that area’s historic milk industry. While at Dora Maar House, Washington works on Boss of the Grips, a biography of James H. Williams—the once-influential Chief “Red Cap” railroad porter at Grand Central Terminal—to be published in fall 2018.
Darragh McKeon grew up in the Irish Midlands and lives in New York. He is an award-winning theater director who has directed 25 productions throughout Europe and the United States. His debut novel, All That Is Solid Melts into Air—a New York Times Editor’s Choice—was translated into seven languages and received numerous literary awards. He has written for BA Magazine, the Independent, the Irish Times, the Irish Examiner, and the Kenyon Review. At the Dora Maar House, he is working on his second novel, The Country They Call Life.
Christine Van Assche is a contemporary art historian specializing in audiovisual art. As chief curator at the Center Pompidou, she created the video and new media collection from 1982 to 2013, with 1,600 works by artists including Mona Hatoum, Pierre Huyghe, Mike Kelley, Nam June Paik, and Pipilotti Rist. She produced a number of thematic exhibitions, such as Passages de l’image in 1990; Sonic Process in 2000; and Video, an art, a history from 2005 to 2012; as well as numerous monographic exhibitions, accompanied by catalogues, on artists including James Coleman, Stan Douglas, Johan Grimonprez, Bruce Nauman, and Tony Oursler. She is an adviser at the Cinémathèque française, where she is collaborating with Raymond Bellour and Jean-Michel Frodon in the development of a 2018 exhibition and publication about Chris Marker.
Peter Plagens, a painter who has shown with the Nancy Hoffman Gallery in New York since 1974, was art critic for Newsweek from 1989 to 2003. His work was the subject of a 2004–05 retrospective at the Fisher Museum at the University of Southern California. He has received fellowships from the John Simon Guggenheim Foundation, the National Endowment for the Arts, the Andy Warhol Foundation, and the National Arts Journalism Program. Plagens is the author of two books of art criticism—Sunshine Muse: Art on the West Coast, 1945–70 and Moonlight Blues: An Artist’s Art Criticism—as well as a novel, Time for Robo. His online novel, The Art Critic, was published as an e-book by Hol Art Books in 2012, and his monograph, Bruce Nauman: The True Artist, was published by Phaidon in 2014.
Laurie Fendrich is an abstract painter who lives and works in New York and is professor emerita of fine arts at Hofstra University. The recipient of a 2016 Guggenheim Foundation fellowship in fine arts, she has had several solo exhibitions, both nationally and in New York. Her most recent solo exhibition was in the fall of 2016 at Louis Stern Fine Arts in Los Angeles. In the spring of 2017, she was in a two-person exhibition of works on paper with her husband, Peter Plagens, at the Sonoma State University Art Gallery. She is also a frequent contributor to the Chronicle of Higher Education, writing essays on the role of art and artists in society.
Katherine Bussard is the Peter C. Bunnell Curator of Photography at the Princeton University Art Museum. Most recently, Bussard coauthored The City Lost and Found: Capturing New York, Chicago, and Los Angeles, 1960–1980, an award-winning publication exploring the intersection of photography, architecture, and urban studies. She is also the coauthor of Color Rush: American Color Photography from Stieglitz to Sherman and author of So the Story Goes: Photographs by Tina Barney, Philip-Lorca diCorcia, Nan Goldin, Sally Mann, and Larry Sultan. Her doctoral research on street photography at the City University of New York is the subject of Unfamiliar Streets: The Photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca diCorcia.
Robert Cohen is the author of five works of fiction, most recently Amateur Barbarians and Inspired Sleep, and the coeditor of a new anthology, The Writer’s Reader. His stories and essays have been widely published in Harpers, Paris Review, Ploughshares, The Believer, and other magazines. His awards include a Guggenheim Fellowship, a Whiting Writers Award, a Lila Wallace Writers Award, and a Pushcart Prize. He teaches at Middlebury College and in the Warren Wilson MFA Program.
John Newman is an artist who lives and works in New York City. He has had more than 50 one-person shows and participated in numerous group exhibitions in galleries and museums throughout the United States, Europe, and Asia. His sculpture, drawings, and prints are represented in numerous public collections, including the Museum of Modern Art, the Metropolitan Museum, the Whitney Museum, the Tate, the National Gallery of Australia, the Albertina Museum in Vienna, and many others. He has been the recipient of the many awards and residencies, including the Rome Prize, the Guggenheim Foundation, the Chinati Foundation, the Joan Mitchell Foundation, the Louis Comfort Tiffany Foundation, the Gottlieb Foundation, the Pollack-Krasner Foundation, the NEA, and a Senior Research Fulbright Grant to India. He is the former director of graduate studies in sculpture at the Yale School of Art and has taught and lectured in many universities and museums throughout the United States, Europe, and Asia.
Ellen Driscoll’s sculptures, drawings, and installations explore resource consumption and material lineage. Recent works include Night to Day, Here and Away, a mosaic commission for the Sarasota National Cemetery; Wraith for the Esther Massry Gallery in Albany, New York, in 2012; and Distant Mirrors, a floating archipelago of forms in the Providence River for six weeks in 2011. Driscoll has received fellowships and awards from the American Academy of Arts and Letters, Guggenheim Foundation, National Endowment for the Arts, and New York Foundation for the Arts, among others. Her work is included in major public and private collections such as the Metropolitan Museum of Art and the Whitney Museum of Art. She is chair of studio arts at Bard College.
Florence Noiville is a journalist with Le Monde, where she works as foreign fiction editor. In 2013, Seagull Books published a collection of her Le Monde profiles including Saul Bellow, Don DeLillo, Carlos Fuentes, Nadine Gordimer, Milan Kundera, John le Carré, and Toni Morrison. At the same time, Noiville published a biography of Isaac B. Singer for which she received a Biography Award. She is the author of three novels: The Gift, Attachment, and A Cage in Search of a Bird; a trilogy called Love and its Pathologies; and a short text, half-essay, half-personal narrative about capitalism and its excesses. From 2007 to 2010, she hosted Le Monde des livres, a literary show on French TV. Her books have been translated into 14 languages.
Melanie Noel is the author of a book of poems titled The Monarchs, and the forthcoming chapbook Try Me. Her poems have also appeared in Spiral, Volta, Weekday, THERMOS, La Norda Especialo, and in the anthology THE ARCADIA PROJECT. She co-curated APOSTROPHE, a dance, music, and poetry series; and curated IMPALA, a reading series that took place in her grandmother’s car. She grew up in Oregon and lives in Seattle, where she is a gardener and teaches creative writing in a psychiatric hospital. She also teaches experiential outdoor workshops meant to invoke synesthesia.
Carla Calargé is an associate professor of French and Francophone studies at Florida Atlantic University. She specializes in the Francophone Arab world and has published numerous articles on the literature and cinema of North Africa and the Near East. She coedited a special issue of the Cincinnati Romance Review on the work of Assia Djebar and is also coeditor of a collection of essays titled Haiti and the Americas. Calargé’s book examining the cultural memorialization of the Lebanese civil war is slated for publication in 2017.
Julie Iromuanya is the author of the novel Mr. and Mrs. Doctor, which is a finalist for the PEN/Faulkner Award, the PEN/Robert W. Bingham Prize for Debut Fiction, the Etisalat Prize for Literature, and the National Book Critics Circle John Leonard Prize for Debut Fiction. Iromuanya earned her BA at the University of Central Florida and her MA and PhD at the University of Nebraska–Lincoln, and she was a Herbert W. Martin Fellow at the University of Dayton in Ohio. She is an assistant professor in the creative writing MFA program at the University of Arizona.
Jason Byrne is a filmmaker who has been strongly influenced by his background as an archivist. He received his MFA in film/video from the California Institute of the Arts. From 2008 to 2013, he worked as the audio-visual archivist for the United Nations Criminal Tribunal for Rwanda in Arusha, Tanzania. In 2010, he was named one of the “25 New Faces of Independent Film” by Filmmaker Magazine. Byrne was a fellow at the Macdowell Colony and the MFAH Core Program (2014–16). While in the Core Program, he was also an adjunct professor in film history at Rice University.
Masha Hamilton is the author of five acclaimed novels, most recently What Changes Everything and 31 Hours, which the Washington Post called one of the best novels of 2009. In October 2013, she finished 16 months working in Afghanistan as director of communications and public diplomacy at the U.S. Embassy. She founded two world literacy projects: the Camel Book Drive and the Afghan Women’s Writing Project. She is the winner of the 2010 Women’s National Book Association award, presented “to a living American woman who derives part or all of her income from books and allied arts, and who has done meritorious work in the world of books beyond the duties or responsibilities of her profession or occupation.”
Michèle Longino, professor of French studies in the department of romance studies at Duke University, is an early modern scholar focused on the French Classical age, 1650–1700. She published Performing Motherhood: The Sévigné Correspondence. Her second book, on classical theater and orientalism in the context of French-Ottoman relations, Orientalism in French Classical Drama was awarded Honorable Mention for the MLA Scaglione Prize. Her recent research has focused on the genre of travel writing and Mediterranean travel accounts from the classical period, and resulted in her third book, French Travel Writing and the Ottoman Empire: Marseilles to Constantinople, 1650–1700. She is currently examining the fairy tales of Charles Perrault and the fables of La Fontaine, both 17th-century writers of the French classical period.
Çağla Zencirci & Guillaume Giovanetti directed several shorts in the 2000s before they completed their first feature film Noor (2012), shot in Pakistan thanks to the support of Moulin d'Andé-Céci, and MEDIA. The film, which premiered at the 2012 Cannes Film Festival in the ACID program, was invited to more than 100 festivals, awarded 15 prizes, and had a successful theatrical release in France in 2014. The duo completed their second feature film in Japan, Ningen (2013), developed in the Villa Kujoyama Residence in Kyoto, which premiered at Toronto in 2013 and was successfully released in theaters in France in 2015. The filmmakers are developing their third feature, Sibel, to be shot in Turkey.
Adrianne Wortzel is a new media artist and writer. Support for her work includes grants from the New York Foundation for the Arts, National Science Foundation, Greenwall Foundation, Franklin Furnace Fund for Performance Art, NYS Council on the Arts, and the Robert Rauschenberg Foundation. Exhibition venues include the Asheville Art Museum, the Whitney Museum of American Art, Ars Electronica in Austria, and Modern Museet in Stockholm. Prior residency awards include Swiss Artists in Labs Award at the Artificial Intelligence Laboratory in Zurich, Eyebeam Atelier, and Scientists/Artists Research Collaborations at Los Alamos National Laboratory. Collections include the Whitney Museum of American Art. the Duke University Rare Book & Manuscript Library Electronic Literature Collection, and Moderna Museet in Stockholm.
Past Fellows at the Dora Maar House: Archives
See previous fellows at the Dora Maar House! Browse our archives for a list of fellows and their bios.